The technique of the photoplay ([c1913])

Page scan 00097 from The technique of the photoplay

Record Details:

Title:
The technique of the photoplay
Date:
[c1913]
Publisher:
New York, The Moving Picture World
Volume:
The technique of the photoplay
Leaf #:
00097
Language:
English
Collection:
Books
Format:
Books
Contributor:
University of California Libraries
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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94 TECHNIQUE OF THE PHOTOPLAY 33- Back to No. 29- Smith rouses- looks about him- looks at broken bottle and at empty bed- can guess- wild with rage- rushes out. 34- Woods- Judson enters scene- staggers on. 35- Front of Judson's, as in No. 9- Smith rushes out- picks up trail- follows. 36- Woods- Keepers run through. 37- Tangle of underbrush- Judson hides. 38- Woods- Smith following Judson's trail. 39- Back to No. 37- Smith enters scene- looks about him. 40- Judson's, as in No. 9- Keepers enter- rush into house. 41- Back to No. 39- Smith looks about him- passes out of scene. 42- Judson's room, as in No. 11- Keepers enter- look about them- exit. 43- Woods- Smith enters- can find no tracks- turns back. 44- Front of Judson's, as in No. 9- Keepers rush out- take up new trail. 45- Same as No. 41- Smith enters- looks about him- picks up trail- starts for brush. 45- Close-up of Judson cowering in brush. 46- Back to No. 44- Smith still approaching brush. 47- Woods- Keepers run through. 48- Back to No. 46- Smith aiming at brush with revolver. 49- Close-up- Judson waiting for shot. 50- Back to No. 48- Keepers rush in- seize and disarm Smith- Judson helped from brush- faints- carried out of scene- other keepers exit with Smith. Study this development closely and you will note how the in- terest is held up. Smith passes Judson's hiding place and you think that Judson is safe, but he turns and comes back again. Even with the revol- ver in his hand Smith does not tire. We have the close up of Judson to hold back the denouement a few seconds longer. In- stead of three or four scenes we have thirty-five, but those thirty-