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THE CAMERA 105 special optical photographic work, this company also makes the Eyemo camera, long a favorite hand camera of newsreel men. Combination film cameras, utilizing principles of both Live TV and Film production had their start with Multicam, a multiple camera system developed by Jerry Fairbanks utilizing 3 or more 16mm or 35mm Mitchell cameras operating simultaneously to shoot different angles of the same scene at the same time. This simulated the multiple camera technique of television. Multicam experimented at one time with television monitoring circuits attached to the film cameras, thereby permitting control room editing. This technique, however, was dropped until three later methods again utilized it: Electronicam is the trade name of DuMont's combination live-film camera. The cameraman views what he is photographing on film, in the same manner as does a live TV camera operator. The orthicon tube of the TV camera and the film camera pick up the image through the same lens system. The video pictures are monitored and directed as on a Live TV show, and a kinescope is made of the master video program. Meanwhile, the cameras have recorded the same scenes on film and the kine serves as a guide for editing the various scenes to give a complete film negative on the show. Electronicam Shoots Live TV and Film Simultaneously Video Film Camera and Camera Vision are trade names for two of various other similar live-film cameras. The Electronic Camera (not to be confused with the Electronicam, above) is the name given the radically different new equipment for re- cording the picture as well as the sound on magnetic tape. The first suc- cessful equipment for this Video Tape Recording or VTR was developed