"Television: the revolution," ([1944])

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"WHO'S GOING TO PAY THE BILLS?" 57 Corpus Christi, or Keokuk—can enjoy the bout just as fully as a fan who drove down from Yonkers. Will theatre audiences be willing to pay for the privilege of seeing these televised sports events? What do you think? Is there any doubt that there are at least a million fight fans throughout America who would gladly pay a dollar-ten for a ring-side view of Joe Louis, actually defending his title? Where is the true baseball fan who would refuse the opportunity to watch the World's Series from a seat in a tele- vision theatre three thousand miles away—with a better view of the diamond than an actual spectator with a seat on the first base line? Horse races, hockey meets, wrestling bouts, interna- tional Olympic games, automobile races, air- plane races, regattas, collegiate and pro football games, track meets, tennis tournaments—every form of skilled competition will find willing watchers in the theatres of the nation supplied by the television networks. Nor are sports the only food for theatre tele- vision. Is it impossible that the iconoscope might find a place in Carnegie Hall and the Metro- politan? Surely America's music-lovers will be