"Television: the revolution," ([1944])

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

76 TELEVISION: THE REVOLUTION highly entertaining programs. For such pro- grams are the best selling point the radio re- tailers have to offer the general public as an inducement to buy video receivers. The pattern of present-day sound networks can be preserved to a large extent in the distri- bution of videofilm. The major networks can find film-networks exactly as profitable as wired-networks have proved in the past. In fact, during television's formative period—before the number of radio-watchers has reached mass proportions—the videofilm technique will mean much more substantial profits than would be possible otherwise. Simultaneously with this rapidly expanding home-broadcast service will come the linking of theatres into television chains. The more far- sighted exhibitors will install television equip- ment for either full-time or part-time service. We probably won't see a coast-to-coast network —either by coaxial cable or by booster stations —until further along in this period of television development. But we shall see spurs running out from metropolitan centers on both coasts, servic- ing outlying theatres with visual entertainment electronically. Several years after the close of