"Television: the revolution," ([1944])

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

"TELEVISION TIME-TABLE" 81 medium, it has come of age. It is no longer merely a gawky nephew of Aunt Radio and Uncle Cinema. By this time television will have developed its own language—and the ability to express itself fluently. By this phase in the tele- time-table, we shall have seen courageous de- partures in visual techniques—not only in broadcasting into the home, but in transmissions to theatres of special events and news services. Television will have developed its own dra- matic form—borrowing the best from the stage, radio, and pictures—but adding to these a cer- tain spontaneity all its own. In other words, the new art will have become actually a new art. Telecasting will have come into its own and everyone, from the highest-paid entertainer to the newest rural set-owner, will concede the greatness and scope of the medium. It is assumed that instantaneous, coast-to-coast television transmissions will, even during this advanced period in tele-development, be con- fined to theatres. Network bills will remain too staggering for even the most stout-hearted ad- vertisers. Moreover, actual practice will prove that live transmissions of commercial shows are not only less polished than videofilm, but are not