"Television: the revolution," ([1944])

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

'ENTER THE NEW ART—' H .ERE's a pass to visit a television studio. Hang onto it. They're hard to get. Oh, it isn't difficult to get a ticket to attend a telecast; your radio set dealer can arrange that for you easily. But there you sit in a large auditorium with five hundred people, and see most of the program by projection on a theatre screen. Only occasionally do the dazzling over-head lights go up in bril- liance, while the television cameras photograph you, the audience—laughing or applauding. No, this is a much rarer privilege. To go into the control room. Stand beside the men who are actually directing the program, and watch the whole production over their shoulders. This is a commercial broadcast we're going to see tonight, a half-hour weekly show, spon- sored by a nationally-famous food manufacturer. The date—roughly fifteen months after the war. The industry is bean-stalking through its adoles- cence. A coast-to-coast theatre-network has 140