"Television: the revolution," ([1944])

Record Details:

Title:
"Television: the revolution,"
Date:
[1944]
Publisher:
New York, Essential Books
Volume:
"Television: the revolution,"
Leaf #:
000168
Language:
English
Collection:
Broadcasting & Recorded Sound and Books
Format:
Books
Contributor:
Prelinger Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
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"ENTER THE NEW ART —" 149 all effect. When we can't get the boom-mike close enough to the speaker—or when the boom would cast a shadow on the set—we use 'hidden mikes'; they're concealed in vases, lamps, table legs, or behind chairs. The boom means more work on the stage and less in the control room, hidden mikes mean an easier time for the boys down on the set, but the engineer up here some- times has to mix ten or twelve channels at a time, which is no lark." Here's the question we've been waiting to spring. "How do you change scenes?" The guide gives us a wise smile. "I was wait- ing for that. You'll see." # # # Things are getting under way now. It's just a few minutes before show-time. The engineer flicks a button, swinging the trio of iconoscopes back to Stage One of the clover-leaf. The second camera-crew is busy lining up a close-up on the diminutive Stage Four. The engineer mutters into his telephone; a second later, the process screen at the rear of Stage One lights up, show- ing the interior of an airplane hangar. The backdrop projected on the screen blends un- cannily with the "props" in the foreground. The