"Television: the revolution," ([1944])

Page scan 000176 from "Television: the revolution,"

Record Details:

Title:
"Television: the revolution,"
Date:
[1944]
Publisher:
New York, Essential Books
Volume:
"Television: the revolution,"
Leaf #:
000176
Language:
English
Collection:
Books and Broadcasting & Recorded Sound
Format:
Books
Contributor:
Prelinger Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
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"ENTER THE NEW ART —" 157 markings on the recording tape as a cue. Patch- ing the film into a sequence identical with what is now being broadcast is only a two-hour job for a good film cutter." "Look at the screen," we say. "There's a close-up shot of a girl's face. How do you get that effect when there's no camera within twenty feet of her?" "They've changed lenses on the number two camera," explains our guide. "They're using a lense with a longer focus now; that gives the effect of a close-up. We use a wide variety of lenses and filters to get different effects. Wide- angle to give us depth, telephoto for flat close- ups, zoom lens for dramatic distortions, and half a hundred different variations. Optically and electrically, we use all the tricks of the trade." Now the action shifts again. The producer cues a pick-up from another set, and on the main stage, an astonishing transformation oc- curs. The backdrop of the aircraft hangar van- ishes from the process screen. Suddenly, the en- tire floor of Stage One begins to sink! All of the foreground props—an airplane engine, chairs, a bench cluttered with machinery—all this dis-