"Television: the revolution," ([1944])

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"ENTER THE NEW ART —" 177 Now our friend at the microphone is an- nouncing a cut-in to a beauty contest in Miami, Florida. The studio signal-light goes off, and everyone coughs and relaxes for a few seconds. Over a distant speaker, we can hear the sound which is being "piped in" from the remote and on the monitoring screen we can see the cheese- cake coming in from Miami Beach. Next comes a brief interview with a Russian pilot who has just broken the non-stop trans- polar flight record, from Murmansk to Minne- apolis. We notice that an iconoscope and movie camera are placed side-by-side for this pick-up ? for in subsequent editions of today's theatre tele- cast the interview will be taken off the film. Suddenly the sliding door which leads to the news room is forced open, and a wild-eyed edi- tor dashes across the studio to the control room. He is clutching a fist-full of telephoto transpar- encies, and a long roll of teletype paper streams out behind him. Through the control-room win- dow, we watch him confer hurriedly with the producer. Now both of them rush into the stu- dio ; they go to one of the camera-men, hand him the slides. There is another hasty conversation, sotto voce. The editor takes the camera-man's