"Television: the revolution," ([1944])

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"MONKEY WRENCHES" 199 Road"—being based on Paramount^ highly suc- cessful musical series based on the "Road to—" theme. At first glance, such a telecast might seem to jeopardize the box-office value of subse- quent "Road" pictures. Actually, this tele series will probably send even longer lines to the theatre box-offices. Video fans who have derived much pleasure from the thirty-minute broad- cast will be eager to see a movie on the same theme. For the television show is a half-hour, pleasant, spontaneous, fresh, enjoyable in every respect. But the movie version is a "topper." It represents the best of a good thing, because the movie is more than three times as long and provides a full evening's entertainment. It is many times as lavish, with months instead of hours in the preparation. The motion picture version will have a perfection and attention to detail which video broadcasting cannot ap- proach. Here is the fundamental point: American en- tertainment is founded on an "economy of plenty," not of scarcity. Never has a valuable picture property been produced by hiding it under a bushel. Americans want a lot of what they like. If a performer is good, it is almost