That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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THE MOVIE'S FIRST STEPS 41 fault of Robert W. Paul that in their early years the movies went, more or less, to the bow-wows. Of Paul and his sensational achievement as the father, or, rather, the step-father, of the movie there is much interesting data extant, the leading features of which are destined to hold a permanent place in the history of the newest of the arts developed by Man's genius. How, in partnership with Sir Augustus and Lady Harris, he made of the Olympia Theatre in London the first picture palace in the world, catching the popular fancy with what he called his "theatograph"; how he was eventually in control of eight London theatres showing motion pictures; how his contract with the Alhambra Theatre for two weeks of pictures in March, 1896, was stretched eventually to cover four years are part of the early records of the screen and account for the name "Daddy Paul" by which this ingenious and daring Englishman is known in movie circles across the water. But even Paul's early successes with motion pictures in the London music halls did not open his eyes, or the eyes of his colleagues, to the possibilities and permanency of the new form of entertainment they had given to the world. Both Paul and Sir Augustus Harris believed that the fickle public would soon tire of what seemed to be to them merely an ephemeral