That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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54 THAT MARVEL— THE MOVIE clusively that the race had finally found an effective new method of telling stories more widely appealing, more direct in its methods than the play, the novel or the poem, the courts of last resort dominating the output of the films were composed largely of men without sufficient education to appraise the value, or lack of value, of the scenarios upon which, in the last analysis, depended the success or failure of their ventures. They seemed to be ignorant of, or indifferent to, the illuminating generalization to be adduced from the history of literature that there is nothing too good for the masses, that that which survives in letters the blue pencil of posterity is the best, not the mediocre or the worst. Had they found themselves several centuries ago in the Mermaid Tavern at London, they would have turned their backs upon Will Shakespeare and Ben Jonson and hurried out to the inn-yard to hobnob with the stable-boys. And the tragic feature of the situation lay in the fact that for a long period the autocrats of the screen failed to realize that a scenario can not rise higher than its source, that you can't get blood out of a stone, nor a screen masterpiece out of a cub office-boy. But though these powers behind the films were for a long period blindly, and often disastrously, indifferent to their highest interests in connection with