That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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72 THAT MARVEL— THE MOVIE Curse of Drink," "How Women Love," "From Rags to Riches." Month after month, year after year, the type of mind that considers Laura Jean Libbey's novels admirable dominates too large a percentage of the output of the movie studios. The dime-novelish taint that was placed upon the screen at the outset of its career has been until recently only a shade lighter than it was in the beginning. An old fight is being waged upon a new battleground. Generation after generation the so-called "elevation of the stage" has been a project dear to the hearts of many worthy men and women. The scope of the age-long engagement between the powers of darkness and the powers of light to dominate the drama has been vastly enlarged, and while the adherents of Dr. Jekyll and Mr. Hyde are still in conflict for possession of the stage, their multiplied cohorts are also fighting tooth and nail to put good or evil, God or the Devil, progress or retrogression, civilization or its opposite, in control of the screen. In other words, both the stage and the photoplay are outward and visible signs of an inward and spiritual combat the outcome of which is to determine the question whether mankind's future course is to be upward or downward. For this reason the screen, appealing to a larger clientele than is influenced by the stage, and one more in need of the uplift that may