That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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74 THAT MARVEL— THE MOVIE Otherwise, a polyglot world would be doomed to go eventually to the dogs — a racial cataclysm too horrible to be contemplated. Let us look more in detail into the data which furnish reason for the hope expressed above that the screen may eventually fulfill its loftiest mission to mankind. What is there in the phenomena at present manifested in the realm of the movies that justifies our optimism? Suppose we turn first to D. W. Griffith's "The Birth of a Nation," recently dubbed by a noted critic "a celluloid Peter Pan which will never grow old." Year after year this early and revolutionary achievement of a far-sighted producer finds a new and enthusiastic public, opening the eyes, as it did at the outset, of despondent doubters to the possibilities of the screen as a dignified and uplifting interpreter of significant crises in the history of a people. Griffith's "Birth of a Nation" was also the birth of a new era for the screen. I have taken the liberty above to refer to my early inclination to become a movie fan, to my disgust and revolt as the screen for years failed to show regard for its higher possibilities, and to my comparatively recent renewal of a hope that had been almost destroyed by the photoplay's youthful indiscretions — to use a term rather mild and inadequate. I am