That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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THE MOVIE AND THE LIBRARY 79 adulterated joy from the unfolding before my eyes of half-forgotten tales which had been among the keenest delights of my romance-loving boyhood? If this be treason, at all events it's honesty. I have acquired the habit of late of patronizing the theatre that advertises a picture-play derived from some novel, old or new, and recounts, by means of the silent drama, a story worthy of repetition. While on this phase of my general subject, I find that I can go conscientiously further than I have above and assert that the screen may, in certain instances, present an author's narrative with even greater impressiveness than his printed book was able to compass. "The Four Horsemen of the Apocalypse" was, to the minds of many competent critics, a much overrated novel. It displayed not only the merits of Ibafiez as a story-teller but also his grave defects. His tale was rather clumsily developed, and its interest was not cumulative. It is hardly going too far to say that the author narrowly avoided handicapping his achievement by an anticlimax. But the screen presentation of "The Four Horsemen" was absolutely free from the shortcomings above ascribed to the novel. Not only was it marvellously effective in its appeal to the eye, but the logical and dramatic unfolding of the basic story