That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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88 THAT MARVEL— THE MOVIE course, that when the screen has fully mastered the technique involved in color reproduction and the synchronization of voice and action the photoplays now attracting the movie public may receive a new lease of life. We who have enjoyed, for example, "The Count of Monte Cristo" on the screen, despite the fact that neither color, sound nor perspective assisted the development of Dumas's absorbing story, would be inclined to give it our attention again when Edmond Dantes is no longer clad in black-andwhite and has found his voice. But it is best to let the marvels of the future take care of themselves. For the present, we must confine ourselves to the screen as it is, and as it seems likely to remain for an indefinite time to come. However, there must come a crisis in the future, under present conditions, when the movie producers will be hampered by a lack of screen material unless they have been far-sighted enough to provide against this contingency. There are among them forward-looking exploiters of the latest story-telling medium who have formulated, in rather a vague and general way, a possible solution of the problem confronting them. They are encouraging writers possessing imagination and originality to take part in the development of a new form of the dramaturgic art which makes direct