That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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THE MOVIE'S APPETITE FOR PLOTS 89 rather than indirect use of the screen. In other words, the movie displays a growing tendency to demand from creative minds its own special requirements; to turn, so to speak, away from the libraries to the librettists. Eventually, it is safe to assert, there will come a day when scenario-writers will not spend a large part of their time listening to echoes for inspiration but will beget screen plays from internal instead of external impulses. In a not distant future, it is reasonable to predict, the movie will, of dire necessity, develop its own type of dramatic story-tellers whose fecundity may make Mark Twain's assertion, quoted above, seem more than ever humorous rather than accurate. The movie must do this or run out eventually of screen material, for the dead tale-tellers have little more to offer it, and contemporary novelists have not, from the picture producers' standpoint, risen to a great opportunity. Of course, the future of the movie, no matter how glorious it may be, must be, of necessity, circumscribed, as are fiction and the drama, by the basic limitations applying to human passions. Love, hatred, loyalty, jealousy, ambition, generosity, cupidity, philanthropy, selfishness, and the other dominating motives impelling men and women to beget the raw material of drama will not be increased