That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

Page scan 000126 from That marvel - the movie : a glance at its reckless past, its promising present, and its significant future

Record Details:

Title:
That marvel - the movie : a glance at its reckless past, its promising present, and its significant future
Date:
1923
Publisher:
New York : G. P. Putman's Sons
Volume:
That marvel - the movie : a glance at its reckless past, its promising present, and its significant future
Leaf #:
000126
Language:
English
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
September 05, 2024
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112 THAT MARVEL— THE MOVIE producers as a class grasp the underlying and immensely illuminating fact, broadly applicable to both the screen and the stage, that, while Booths and Barrymores come and go, Shakespeare goes on forever. In the last analysis, the screen and the stage are media for the telling of dramatic stories and their well-being, in the long run, depends not upon shooting-stars but upon planetary playwrights. In approaching the conclusion of the first half of this series of articles which has given, inadequately and sketchily, a bird's-eye view of the past and present of the movie as a purveyor of amusement, the writer finds himself turning to other fields of endeavor in which the screen is pushing forward as a pioneer with the hope in his heart, amounting to a certainty, that the screen-drama in America is upon the threshold of a great and glorious future. Revolutionary changes in the photo-drama are being brought about by methods arousing intense scientific and technical* interest. It has seemed best to postpone their consideration until later on, when we turn from the studios to the laboratories, from the scenario-writer to the surgeon, from the movie hero to the captain of industry in our effort to visualize the wide and growing field that the screen is conquering for its own. And the realm of movie endeavor into which we are now about to enter