That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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INTERPRETING THE PAST 151 one generation to another. But would it not be a hopelessly mad world which, on the issue involved in this contention, backed Kerr against Wells? Imagine the race abandoning itself to despair, admitting that it can find within itself no safeguard against its impending doom of hari-kari, turning heart-sick and hopeless from futile peace-conferences and gazing in sullen silence at the mobilization of new armies under old catch-words in various parts of a blood-soaked planet! Even if Wells shall prove to be in the end a dreamer of dreams and chaser of rainbows, defeated in his effort to put salt on the tail of the millennium, is it not more reasonable to take a gambling chance on his possible victory as an idealist than to give abject surrender with Kerr to the evil influences that for countless ages have made of our planet a recurrent shambles? Common-sense, then, forces us to the conclusion that, in the perturbed world in which we at present find ourselves there is no feature of our complicated modern life more entitled to earnest consideration than the screen as historian. In schools, colleges and movie theatres, with films depicting significant episodes in Man's past or illuminating events of to-day, a mirror is vouchsafed to this generation in which it can see both itself and its progenitors in a light that now for the first time clarifies our sight. The regen