That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

NEW FUNCTIONS 159 Talking Film. Prof, de Forest Here with Device Whereby Even Operas May Be Produced on Screen." "Modern Wizards Bewilder Edison. Watches Voice Filmed." "Einstein's Relativity Theory in Pictures. Fascinating, Ingenious and Revolutionary." The above list might be greatly prolonged, but it serves the purpose we have in hand as it stands. It means that the possibilities of the screen are being realized at an amazing rate of progress, that the Esperanto of the Eye, which found its alphabet when Edison invented the kinetoscope, has now become a universal method of expression fitted to reveal eventually all human knowledge to the race in such a manner that it can be sensed, if not comprehended, by even illiterates and morons. There are, of course, technical problems connected with color, depth and the synchronization of voice and movement which it may be impossible for the ingenuity of man to solve, but the year 1923 will appeal to the future historian of the movie as a period in which the screen entered a domain possessing hitherto undreamed of facilities for intensifying the potency of the playwright, actor, scientist, educator, statesman, philanthropist and salesman. The last-mentioned beneficiary of the screen, commonly called "drummer," is worthy of a moment's attention just here as helping to prove our general