That marvel - the movie : a glance at its reckless past, its promising present, and its significant future (1923)

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168 THAT MARVEL— THE MOVIE works that impelled Merton of the Movies to idealize the new art and industry whether he looked at them through a telescope or a microscope. That a work based upon the more personal aspects of the movie's evolution can be both readable and timely has been proved of late by the success achieved in book form by the personal reminiscences of one of the leading producers in the motion picture realm. But had I succumbed to the inclination to give what may be called the lure that lies in gossip to this little volume, I should have taken merely the path of least resistance and have left wholly undone the real task I have essayed, namely, that of getting an idea, a prophecy, a promise, a possibility — whatsoever you may be pleased to call it — into the minds of my readers, to the end that the project referred to in the first chapter of this book may receive eventually the consideration to which I, with all due modesty, believe it is entitled. In other words, I have been endeavoring to explain briefly how the toy kinetoscope of a quarter of a century ago by becoming a universal medium of expression has made what men and nations say to each other in this new world-language of crucial significance to the future of civilization. Now just here we come face to face with the most significant, the most tragically important, feature of