The Film Renter and Moving Picture News (Mar-Apr 1923)

22 THE FILM RENTER & MOVING PICTURE NEWS. April 28, 1923. ON Ne WOE EE EA Ps re = Ideals” Brilliant Womanis Film Adapted From A.S.M.Hutchinson ‘Samous Novel. STARRING FAY COMPTON, § OENISON CLIFT ART PRODUCTION Sy ae has q fila Lad « q ree glowing reception from the Pres Chan “Yhris Sreedomigw SUNDAY PICTORIAL Apri 22, 1008) BRITISH FILM TRIUMP#L Brilliant Characterisation by Fay Gompton in “This Freedom.” ” HI filni-plgy, ,based on A. S. M. Hutch son's-naye}, “This Freedom, 2 and show ut-the New OxferdaTheutre on Thursiloy ever ing, is of such eystained brilliance as to nuke it easily the finest drama of its Kind yet pre sented through the niediuin of the screen, [tb in tur irresistibly joyful and fragically: poe nunt. It is always unernngly humo. Denison Clift’s Achievement.—To Deni: -« ; ; son Clift; the producer of This Freedom,” DAILY « Splend id Film po oun a d fap dueitort HanitaReerre anoer A ich EXPRESS . Strangely beautiful and he his fashioned and directed this»photo-play. tenderly human‘ He has achieved a filmy which plates hiui in the first ranks of motion-picture directors. It SUNDAY “Enthralling film...... EXPRESS: glowing photoplay: -permitsible, for example, to compare his ine spiredhondling of three doinestic cuts with the comménplice featuring of the cat and the bow! of fish in ‘ Trifting. Women.” There is much in *' This Fréedom.’” which American producer luay study with benefit. , DAILY “Alwaus arresting and GRAPHIC: often brilliant................. a complete and final answer to the sneer that no good film has ever come out of London. aN SUNDAY “The film play is of such PICTORIAL « sustained brilliance as to make it easily the finest drama of its kind yetpresented through the medium of the screen. _ Fay Compton’s Genins.—Nevertheles the outstanding feature of ** This Freedont & the delineation of ‘Rosalie by. Fay Compton Here is an inspired performance—to ny isin. the greatest individual characterisation evel done for the ecreen. Miss Compton's progit= from the ethereal beauty of the a seventeen to the tragic despair of the mothe af forty years of age is without 0 fault, Mistress of Her Art.—Ceruinly ed (| Conipton’s beauty is a wonderful s men asset, but bet greatest gift is in being conpplele mistress .of her art. Her technique ia 0 reveiw tion of what can be done on the screen. is no-American filmj-star which could even f& inotely approach the brilliance of this perform REFEREE; “One of the most perfect British productions which have uet been made. STAR : "A credit to the British * film industru......... tt is uy WY finely acted’ ND c at yo \n i \¥ fs EN mae at ied wh act A \7 Ihe CROWDED HOUSES at the NEW OXFORD THEATRE / AS ad ‘gs oY wm \ opt roet @. IR so ne ; Ae a \ ag % ove Z * ver "oO } in) & y FF \ t ovlice ccs oF east eas re yer: \ Boe ced (hat ¢ workavly the Do ie & : ak \ es C : ral in 8 good, part ° ould :! : 3 t ko om 50g Of qyen's yy BSL one oc 5 ot re pets “do conta 63 greater. ord poe : y vant. SEAN \\ ; 0 ‘ E ‘ r jnte {0 = EA Mere MAS ot <e> ean ser wee Tn g0?®, 9) pet on the Fb gins: I io WP . a eine Sy jerry BY mi t Rem Lett 1 3 a0 es of Oa pO ed MAigy Tr pee® cokes Bags ANd 2 Ceo ca SMC i are Rep alia *: i St AN er: meth Ker OPP MEY mach nook I OAS, py “ ; : p ee ; Bt .. “th r ww —= Toe. . dee -. £ \d NEWS OF "An all-British product: THE WORLD; ion that can claim to rank with the best’