The theater, the cinema and ourselves (1947)

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worth a whole sheaf of pamphlets. But the play goes far deeper than the particular problem it deals with, it must surely spread a width as well as a depth of feeling in all who see it. Not many years ago such a play would have produced howls of disapproval, not at what it taught, for it taught nothing but good, but that it should have been produced at all. To-day there was hardly a protest. Instead Queen Mary went to one of the first performances at the small Lindsey Club, and the play soon after enjoyed a far wider popularity at one of the largest London theatres. THE PICK-UP GIRL. The aftermath. The girl with her mother. (Patricia Plunkett— second production — and Joan Miller.) 1946.