The theater, the cinema and ourselves (1947)

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The returned sailor proves he can still shoot straight. ex-service man is outraged. "/ say you must not gamble with the future of the world." "I am not that Peggy," Peggy said firmly, and finds before long that she is that Peggy. "We don't lend money without security," the bank manager said and then discovers that not to lend may be an even greater risk. Is the simple directness and sincerity of this film due partly to the fact that at least one of the cast, the man who loses his hands in the war, is in real life what he is in the film? It may be a dangerous experiment but here it succeeds triumphantly and apparently with little effort. The story, the production and the playing are so sincere that one can hardly believe that the cinema was ever so false, so utterly untrue to life. In the clear fresh daylight of the best years of our lives the past history of the cinema seems a mere nightmare, a mixture of stupidity and what is far worse a deliberate betrayal of human nature. Having turned the corner, not only in this film but in several others, quite naturally and with no moralizing or cant, it seems impossible that we should ever retrace our steps. 47