Theory of the film : (character and growth of a new art) (1952)

Record Details:

Title:
Theory of the film : (character and growth of a new art)
Date:
1952
Publisher:
London : Dennis Dobson Ltd.
Volume:
Theory of the film : (character and growth of a new art)
Leaf #:
00033
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 28, 2024
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EXAMPLES 29 magician. George Melies, himself originally a professional illusionist and conjurer, soon discovered what miracles could be performed with the aid of film technique : men and objects could be made to disappear, to fly through the air, to change into each other. There is scarcely a technical trick of which the camera is capable, which Melies did not use in the very first years of cinematography. But what he did was nevertheless only photographed theatre. For if some cunning stage trick were to make it possible to make characters vanish, fly through the air or change into something else on the real stage, this would still not change the eternal forms and basic principles of the theatre.