Theory of the film : (character and growth of a new art) (1952)

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32 ANEWFORM-LANGUAGE sees fit, and thus not only show but at the same time interpret the picture. It is in this that the individual creativeness of a film-maker chiefly manifests itself. Two films in which story and acting are exactly the same, but which are differently cut, may be the expression of two totally different personalities and present two totally different images of the world.