Theory of film : the redemption of physical reality (1960)

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CONTENTS INTRODUCTION 1. Photography 3 HISTORICAL SURVEY 4 Early view and trends 4 Current views and trends 8 SYSTEMATIC CONSIDERATIONS 12 The basic aesthetic principle 12 The photographic approach 13 Affinities 18 Appeals 21 The issue of art 22 I. GENERAL CHARACTERISTICS 2. Basic Concepts 27 PROPERTIES OF THE MEDIUM 28 THE TWO MAIN TENDENCIES 30 Lumiere and Melies 30 The realistic tendency 33 The formative tendency 3 5 Clashes between the two tendencies 36 THE CINEMATIC APPROACH 37 THE ISSUE OF ART 39 3. The Establishment of Physical Existence 41 RECORDING FUNCTIONS 41 Movement 41 Inanimate objects 45 REVEALING FUNCTIONS 46 Things normally unseen 46 Phenomena overwhelming consciousness 57 Special modes of reality 58 XV