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314 NOTES
23. Freund, op. cit. p. 96.
24. Ibid. p. 12; Newhall, op. cit. p. 43.
25. Freund, op. cit. pp. 78-9.
26. Ibid. p. 92.
27. Ibid. pp. 83, 85,90.
28. Newhall, T/ie History of Photography . . . , pp. 71-2.
29. Ibid. p. 76.
30. Ibid. p. 81.
31. Ibid. p. 75.
32. Ibid. pp. 71-2; Freund, La Photo graphie en France . . . , pp. 69, 101.
33. Freund, op. cit. pp. 107-8, 110-12.
34. Ibid. pp. 117-19.
35. Ibid. pp. 108-9.
36. Ibid. pp. 116-17.
37. So the painter and photographer Charles Sheeler in 1914; quoted by Newhall, The History of Photography . . . , p. 152.
38. Weston, ''Seeing Photographically," The Complete Photographer, 1943, vol. 9, issue 49:3202. See also Moholy-Nagy, Malerei, Photographie, Film, p. 22.
39. Moholy-Nagy, Vision in Motion, pp. 206-7, 210.
40. Newhall, op. cit. p. 218. Moholy-Nagy, Malerei, Photographie, Film, p. 27.
41. Moholy-Nagy, Vision in Motion, p. 178.
42. Ibid. p. 178.
43. Moholy-Nagy, Malerei, Photographie, Film, p. 22.
44. Katz, "Dimensions in Photography/' The Complete Photographer, 1942, vol. 4, issue 21:1354.
45. Newhall, op. cit. p. 131.
46. Moholy-Nagy, op. cit. p. 24.
47. Feiningcr, "Photographic Control Processes," The Complete Photographer, 1942, vol. 8, issue 43:2802.
48. Schmoll, "Vom Sinn der Photographie," in Steinert, Subjective fotografie 2, p. 38.
49. "Reaction to 'Creative Photography,' " The New York Times, Dec. 16, 1951.
50. Quoted by Newhall, The History of Photography . . . , p. 78, from H. P. Robinson, Pictorial Effect in Photography (1869), p. 109.
51. Newhall, ibid. pp. 157-8.
52. Cellini, The Autobiography of Benvenuto Cellini, p. 285.
53. Eisenstein, Film Form, p. 16.
54. Gasset, The Dehumanization of Art , p. 54. (Translator not named.)
55. Newhall, op. cit. p. 218. Cf. Moholy-Nagy, Vision in Motion, p. 177.
56. Freund, La Photographie en France . . . , pp. 105-6.
57. Proust, Remembrance of Things Past, vol. I, pp. 814-15. (Translated by C.K. Scott Moncrieff.)
58. Sherif and Cantril, The Psychology of Ego-Involvements, passim; e.g. pp. 30, 33, 34. Arnheim, "Perceptual Abstraction and Art," Psychological Review, March 1947, vol. 54, no. 2.
59. Mumford, Technics and Civilization, p. 339.
60. Freund, op. cit. p. 59.
61. Newhall, The History of Photography . . . , p. 47.