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NOTES 315
62. Ibid. p. 150.
63. Weston, "Seeing Photographically," The Complete Photographer, 1943, vol. 9, issue 49:3205.
64. Newhall, op. cit. p. 91.
65. Ibid. p. 139.
66. Moholy-Nagy, "Surrealism and the Photographer," The Complete Photographer, 1943, vol. 9, issue 52:3338.
67. I am greatly indebted to Mr. Edward Steichen for having this photograph brought to my attention.
68. Cf. Mumford, Technics and Civilization, p. 339.
69. Cf. Hajek-Halke, Experimented Fotografie, preface; p. 14. See also the above-quoted articles by Katz, Feininger, and Schmoll.
70. Quoted by Newhall, The History of Photography . . . , p. 213.
71. Mumford, op. cit. p. 340.
72. Newhall, "Photography and the Development of Kinetic Visualization," Journal of the Warburg and Courtauld Institutes, 1944, vol. 7, p. 40.
73. Newhall, The History of Photography . . . , p. 40; quoted from H. Fox Talbot, The Pencil of Nature (London, 1844), p. 40.
74. Quoted by Newhall, ibid. p. 144, from John A. Tennant's 1921 review of a New York Stieglitz exhibition.
75. Albert Londe, La Photographie instantanee (Paris, 1886), p. 139. I owe this reference to Mr. Beaumont Newhall who kindly let me have some of his notes on instantaneous photography.
76. Newhall, "Photography and the Development of Kinetic Visualization," Journal of the Warburg and Courtauld Institutes, 1944, vol. 7, p. 41.
77. McCausland, "Alfred Stieglitz," The Complete Photographer, 1943, vol. 9, issue 51:3321.
78. Newhall, The History of Photography . . . , p. 126.
79. Proust, Remembrance of Things Past, vol. I, p. 815. (Translated by C. K.Scott Moncrieff.)
80. Newhall, op. cit. p. 91.
81. Benjamin, "Ueber einige Motive bei Baudelaire," Zeitschrift fuer Sozialforschung, 1939, vol. VIII, nos. 1-2:82.
82. Cf. Newhall, op. cit. pp. 140, 143.
83. Quoted by Newhall, op. cit. p. 182, from H. Fox Talbot, The Pencil of Nature (London, 1844), p. 52.
84. Delluc, "Photographie," in Lapierre, ed., Anthologie du cinema, p. 135.
85. Moholy-Nagy, Vision in Motion, p. 209.
86. Newhall, The History of Photography . . . , p. 198; quoted from Morgan & Lester, ed., Graphic Graflex Photography (1948), p. 218.