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318 NOTES
CHAPTER 3
1. Quoted by Jacobs, The Rise of the American Film, p. 1 19.
2. "Core of the Movie — the Chase," The New York Times Magazine, Oct. 29, 1950. (An interview with Mr. Alfred Hitchcock.)
3. See Langlois, "Notes sur l'histoire du cinema," La Revue du cinema, July 1948, vol. Ill, no. 15:6. Sadoul, Les Pionniers du cinema, pp. 264-5.
4. Rosenheimer, "They Make Documentaries . . . ," Film News, April 1946, vol. 7, no. 6:10. (An interview with Robert J. Flaherty.)
5. Knight, "Dancing in Films," Dance Index, 1947, vol. VI, no. 8:195; see also 185-6, 193. Among the best-known Astaire films are Top Hat and Swing Time.
6. Rotha, The Film Till Now, p. 370. Cf. Dard, Valeur humaine du cinema, p. 17.
7. Cf. Arnheim, Film, p. 121.
8. Kracauer, From Caligari to Hitler, p. 189.
9. Leger, "A New Realism— The Object," The Little Review, 1926, p. 7.
10. Cohen-Seat, Essai sur les principes d'une philosophic du cinema, p. 100.
11. Quoted by Henry, "Le film frangais," Cinema (Les cahiers du mois, 16/17), 1925, pp. 197-8.
12. Doniol-Valcroze and Bazin, "Conversation with Bunuel," Sight and Sound, Spring 1955, vol. 24, no. 4:185.
13. Jacobs, The Rise of the American Film, p. 103. Referring to the close-up of Annie Lee, Sadoul, Les Pionniers du cinema, pp. 555-7, compares Griffith's approach with that of Melies.
14. See Jacobs, op. cit. p. 197, and Pudovkin, Film Technique and Film Acting, parti, pp. 118-19.
15. Eisenstein, Film Form, p. 238. Similarly, Pudovkin, op. cit. part I, p. 65.
16. Eisenstein, op. cit. p. 238.
17. Proust, Remembrance of Things Past, vol. I, pp. 978-9. (Translation by C.K. Scott Moncrieff.)
18. Benjamin, "L'Oeuvre d'art a 1'epoque de sa reproduction mecanisee," Zeitschrift fuer Sozialforschung, 1936, vol. V, no. 1 : 59-60.
19. Pudovkin, Film Technique and Film Acting, part I, pp. 60-61.
20. See Tyler, "The Film Sense and the Painting Sense," Art Digest, Feb. 15, 1954, p. 27.
21. Benjamin, "Ueber einige Motive bei Baudelaire," Zeitschrift fuer Sozialforschung, 1939, vol. VIII, nos. 1-2:59-60, 64-7, 68 n.
22. Cf. Faure, "Cinema," in Le Role intellectuel du cinema, pp. 220-21.
23. Sadoul, Les Pionniers du cinema, pp. 414-1 5.
24. Cf. Benjamin, "L'Oeuvre d'art . . . ," Zeitschrift fuer Sozialforschung, 1936, vol. V, no. 1:65 n.
25. See Epstein, Cinema, Paris, 1921, pp. 99-100.