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Theory of film : the redemption of physical reality (1960)

Page scan 000412 from Theory of film : the redemption of physical reality

Record Details:

Title:
Theory of film : the redemption of physical reality
Date:
1960
Publisher:
New York : Oxford University Press
Volume:
Theory of film : the redemption of physical reality
Leaf #:
000412
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
May 15, 2025
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322 NOTES 6. Clair, op. cit. p. 187. 7. Quoted by Rotha, Documentary Film, p. 143, from Pudovkin, "Acting — The Cinema v. the Theatre," The Criterion, vol. VIII, no. 1. 8. Sachs, "Film Psychology," Close Up, Nov. 1928, vol. Ill, no. 5:9. 9. Eisenstein, Film Form, p. 192. 10. Rossellini, "Dix ans de cinema (I)," Cahiers du cinema, Aug.-Sept. 1955, vol. IX, no. 50:9. See also Balazs, Der sichtbare Mensch, pp. 55-6. 11. Pudovkin, Film Technique and Film Acting, part I, p. 109. 12. Cf. Cooke, Douglas Fairbanks, p. 6. 13. Barjavel, Cinema total . . . , p. 81. 14. Cited by Rotha, Documentary Film, p. 149. See also Rotha, The Film Till Now, p. 363. 15. Quoted by Marie Epstein, "Biographical Notes," in Bachmann, ed., Jean Epstein, 1897-1953; Cinemages, no. 2:8. 16. See Kracauer, From Caligari to Hitler, p. 175. 17. Chiaromonte, "Rome Letter: Italian Movies," Partisan Review, June 1944, vol. XVI, no. 6:628. 18. Rotha, Documentary Film, p. 148. See also Nicholl, Film and Theatre, p. 172. 19. Reynolds, Leave It to the People, p. 147. 20. Miles, "Are Actors Necessary?" Documentary News Letter, April 1941, vol. 2, no. 4:71. 21. Rossellini, "Dix ans de cinema (I)," Cahiers du cinema, Aug.-Sept. 1955, vol. IX, no. 50:9. 22. Chiaromonte, op. cit. p. 623. 23. Zinnemann, "On Using NonActors in Pictures," The New York Times, Jan. 8, 1950. 24. Ferguson, "Life Goes to the Pictures," films, Spring 1940, vol. 1, no. 2:22. CHAPTER 7 1. Clair, Reflexion faite, p. 141. (A statement of 1928.) 2. Cf. Kracauer, From Caligari to Hitler, p. 205. 3. Eisenstein, Film Form, pp. 257-9. 4. Clair, op. cit. p. 116. 5. See, for instance, Charensol, "Le cinema parlant," in L'Herbier, ed., Intelligence du cinematographe, p. 170; Adler, Art and Prudence . . . , p. 541; Lindgren, The Art of the Film, p. 106. 6. Clair, op. cit. p. 43. 7. Cavalcanti, "Sound in Films," films, Nov. 1939, vol. I, no. 1:29.