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328 NOTES
CHAPTER 10
1. Maurois, "La poesie du cinema," L'art cinematographique, 1927, vol. Ill, pp. 34-5.
2. Seve, "Cinema et methode," Revue Internationale de filmologie, SeptOct. 1947, vol. I, no. 2:172-3, and ibid. Oct. 1948, vol. I, nos. 3-4:352-3. See also Caveing, "Dialectique du concept du cinema/' ibid. Oct. 1948, vol. I, nos. 3-4:348. Valery, "Le cinema," in Les techniques au service de le bensee, pp. 161-2, too feels uneasy about the story film which he considers an awkward mixture of fiction and observation.
3. Sec Kracauer, From Caligari to Hitler, p. 68 n.
4. Sec Mekas, "The Experimental Film in America," Film Culture, May-June 1955, vol. I, no. 3:16, and Knight, The Liveliest Art, pp. 278-85.
5. Epstein, "Le sens 1 bis," in L'Herbier, ed., Intelligence du cinematographe, p. 259.
6. Dulac, "La cinegraphie integrale," in Lapierre, ed., Anthologie du cinema, pp. 159-60.
7. Sec Sadoul, Les Piomiiers du cinema, p. 541.
8. Cf. Brunius, "Experimental Film in France," in Manvell, ed., Experiment in the Film, pp. 68, 84-5.
9. See Dulac, "Le cinema d'avant-garde," in L'Herbier, ed., Intelligence du cinematographe, pp. 346-7.
1 0. Clair, Reflexion faite, p. 53.
11. Dulac, op. cit. p. 348. According to Brunius, op. cit. p. 97, a 1924 screening of forgotten old science films at the Vieux Colombier, the famous Paris avant-garde moviehouse, greatly stimulated the trend in favor of documentaries. Cf. also Dulac, "L'essence du cinema: L'idee visuelle," in Cinema (Les cahiers du mois, 16/17), 1925, p. 62.
12. Brunius, op. cit. p. 69.
13. Ibid. p. 95.
14. Bardeche and Brasillach, The History of Motion Pictures, p. 243. (Translated by Iris Barry.)
1 5. Clair, Reflexion faite, p. 78.
16. Quoted by Brunius, op. cit. p. 71.
17. Chapcrot, "Henri Chomcttc: Le poeme d'images et lc film parle," La Revue du cinema, Aug. 1, 1930, vol. 2, no. 13:29.
18. Dulac, "L'essence du cinema: L'idee visuelle," Cinema (Les cahiers du mois, 16/17), 1925, pp. 65-6.
19. Dulac, "La cinegraphie integrale," in Lapierre, ed., Anthologie du cinema, p. 165.
20. Dulac, ibid. p. 165.
21. Iris Barry, Film Notes . . . , p. 47.
22. Cf. ibid. p. 47.