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334 NOTES
CHAPTER 14
1. Rotha, Documentary Film, p. 106.
2. Quoted by Rosenheimer, 'They Make Documentaries . . . ," Film News, April 1946, vol. 7, no. 6:9.
3. Flaherty's words. Quoted by Rosenheimer, ibid. p. 23.
4. See, for instance, Grierson, "Robert Flaherty: An Appreciation," The New York Times, July 29, 1951; Rotha, op. cit. p. 107; Manvell, Film, p. 84.
5. So Grierson, op. cit.
6. Quoted by Rosenheimer, op. cit. p. 10.
7. Grierson, op. cit. (His italics.)
8. Goodman, "Pioneer's Return . . . ," The New York Times, Aug. 31, 1947.
9. Tacobs, The Rise of the American Film, p. 173.
10. See, for instance, "Rossellini," The New Yorker, Feb. 19, 1949, p. 25.
11. Bachmann, "Federico Fellini: An Interview," in Hughes, ed., Film: Book I, p. 103.
12. Rotha, "The Last Day of Summer," Sight and Sound, Autumn 1958, vol. 27, no. 6:315.
13. Manvell, Film, p. 107.
14. Rotha, Documentary Film, p. 195. Cf. also Road, "Documentary Film Since 1939," in Rotha, ibid. p. 250.
1 5. Agee on Film, p. 299. See Road, op. cit. p. 271.
16. Laffav, "Les grands themes de l'ecran," La Revue du cinema, April 1948, vol.11, no. 12:8.
17. Cf. Bachmann, "Federico Fellini: An Interview," in Hughes, ed., Film: Book 1, p. 97.
18. Ibid. p. 101.
19. Agel, "Du film en forme de chronicle," in Astre, ed., Cinema et roman, p. 151.
20. Ibid. p. 150.
21. Ibid. p. 149. Cf. also Katulla, "Die Antwort des Moenchs: Bemerkungen zu Federico Fellini," Film 1958, vol. I, no. 2:150.
22. Quoted by Bluestone, "An Interview with Federico Fellini," Film Culture, Oct. 1957, vol. Ill, no. 3:3.
23. Quoted by Goodman, ''Pioneer's Return . . . ," The New York Times, Aug. 31, 1'947.
24. See Panofsky, "Style and Medium in the Motion Pictures," Critique, JanFeb. 1947, vol. 1, no. 3:11.