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Bibliography
This bibliography lists only such writings as are cited and referred to in the present book. The extensive background material consulted in the process could not be included.
Adler, Mortimer J., Art and Prudence: A Study in Practical Philosophy, New
York, 1937. Agee on Film: Reviews and Comments, New York, 1958. Agel, Henri, "Du film en forme de chronicle," in G.-A. Astre, ed., Cinema
et roman, Paris, 1958, pp. 147-55. [La revue des lettres modernes, vol. V,
nos. 36-8.] Allendy, Dr., "La valeur psychologique de l'image," in Marcel L'Herbier, ed.,
Intelligence du cinematographe, Paris, 1946, pp. 304-18. [First published
in 1926.] Aragon, Louis, "Painting and Reality: A Discussion/' transition (New York,
Fall 1936), no. 25:93-103. Arnheim, Rudolf, Film, London, 1933.
, Art and Visual Perception: A Psychology of the Creative Eye, Berkeley and Los Angeles, 1954.
Perceptual Abstraction and Art," Psychological Review (Princeton,
March 1947), vol. 54, no. 2:66-82.
Artaud, Antonin, "The Shell and the Clergyman: Film Scenario," transition (Paris, June 1930), nos. 19-20:63-9.
Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, Princeton, 1953. Translated from the German by Willard R. Trask.
Bachmann, Gideon, "The Films of Luis Bufiuel," Cinemages (New York,
1954), no. 1. , "Federico Fellini: An Interview," in Robert Hughes, ed., Film: Book
1: The Audience and the Filmmaker, New York, 1959, pp. 97-105.
ed., Jean Epstein, 1897-1953; Cinemages (New York, 1955), no.
2. A Jean Epstein memorial issue. Balazs, Bela, Der sichtbare Mensch, oder die Kultur des Films, Wien/Leip
zig, 1924.
, Der Geist des Films, Halle, 1930.
, "Das Drehbuch oder Filmszenarium," in Von der Filmidee zum Dreh
buch, Berlin, 1949, pp. 60-80.
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