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INDEX
353
124, 136, 152, 179, 180, 192, 211, 249
Cellini, Benvenuto, 13
Cendrars, Blaise, 34, 166
candid photography, 13-14, 15-16, 43, 207
Chaney, Lon, 101
Chaperot, Georges, 170
Chaplin, Charles, 54, 62, 73, 86, 88, 102, 107-8, 110, 126, 140, 176, 214, 264, 266, 269, 270, 281, 307, 308; illus. 22, 58
chase, the, 42, 63, 64, 80, 88, 139, 140, 183, 227-8, 231, 271, 276, 277, 282
Chiaromonte, Nicola, 98, 286
Chien Andalou, Un (1928, France), 187, 188, 190, 301; illus. 36
Chomette, Henri, 183
Chopin, Frederic-Frangois, 184
Christianity, 78, 208, 287, 290, 291, 295
Cinderella (1950, U.S.), 89, 90
cinema pur, 68, 176, 177, 178-9, 179 n., 180, 181, 183, 187, 188
cinematic approach, 37-9, 53, 58, 60, 77, 80, 81, 82, 86, 91, 116, 120, 128, 144, 148, 150, 153, 157, 175, 182, 201, 211, 226, 260, 263, 302, 307
cinematic subject, 33, 41, 44, 45, 50, 51, 57, 58, 61, 80, 82, 180, 223, 224, 228, 240, 255, 267, 270-71, 272
cinematic techniques, 28-30, 32-3, 34, 41, 48, 52, 55, 61, 64, 80, 83, 8790 passim, 106, 141, 155, 158, 180, 183, 184, 187, 197, 217, 270, 307
Citizen Kane (1941, U.S.), 66, 191, 279
City Lights (1931, U.S.), 102, 107, 253
Clair, Rene, 34, 43, 48, 56, 57, 73, 82, 85, 94, 103, 106, 107, 123, 125, 126 n., 129, 130, 131, 145, 147, 157, 179 n., 180, 182-3, 191» 2°7> 212; illus. 19, 28, 34
Clarke, Shirley, 206 n.
Clement, Rene, 241; illus. 44
Clock, The (1945, U.S.), 230
close-up, viii, 17, 29, 45, 46-8, 49, 53, 70, 73, 79, 80, 94, 113, 117, 120, 123, 128, 136, 154, 155, 162, 180, 186, 196, 198, 206, 220, 222, 226, 231, 235, 271, 272, 275, 277, 280, 281, 307
Clouzot, Henri-Georges, 200; illus. 37 Cocteau, Jean, 85, 187, 187 n., 190, 279 Coeur fidele (1923, France), 56, 183 Cohen-Seat, Gilbert, 45, 65, 159 color, vii, 15, 36, 68, 136-7, 140, 155,
201. See also tinting comedy, 108-9, J57> 215> 22^ 229, 26o,
272; film c, 30, 31, 85, 104 n.,
106-7, 109> x77> 253~4» 272> s^ent film c, 42, 45, 54, 62, 88, 126, 150, 183, 252, 253-4, 2^6, 269, 270, 281, 302, 307. See also slapstick
commentary, 36, 123, 161, 206, 209
commentator, 118-19, 200, 205, 209, 210
Communism, 142, 233, 291
Comte, Auguste, 287
conceptual reasoning, 124, 177, 209, 229, 263-5, 267, 270, 272
Condamne a mort s'est echappe, Un (1956, France), 235
contrived reality, see reality of another dimension
Conversation with Pablo Casals, A (1956, U.S.), 150-51
Cook and Bonnelli, 27
Copei, Fr., 158
Copland, Aaron, 138, 140, 141-2, 143
Corneille, Pierre, 268
Counterfeiters, The, 233
counterpoint, 110, 113, 114, 115, 116-17, 119-20, 120-21, 122-3, 125> 127> 129, 130, 131, 132, 140, 141-2, 144-5
Courbet, Gustave, 5
Course des Sergeants de Ville (ca. 1906, France), 42
"creative geography," 48, 211
Crockwell, Douglass, 186
crowds, ix, 19, 27, 50, 51, 62, 63, 72, 78, 79, 80, 81, 90, 147, 166, 169, 190, 197, 210, 218, 231, 240, 248, 271. See also mass
Crowther, Bosley, 47 n.
cubism, 181, 187
cutting, see editing
Dada, 181, 183, 188, 189, 301
Daguerre, Louis Jacques Mande, 4, 7, 21;
daguerreotypy, 4, 5, 7, 8, 27 Dali, Salvador, 187, 189, 301; illus. 36 dance (also d. film), 42-4, 49, 59, 62,
86, 89, 110, 131, 141, 144, 147,