Third Dimension Movies And E X P A N D E D Screen (1953)

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THREE-DIMENSIONAL MOTION PICTURES eye accounts for the opinion of painters as to the "re tiring*" character of blues, and the wfc adv^ncing" char acter of red tints. Let us examine these grounds of belief. As a result of the chromatic aberration of the eye we know all the rays are not brought to a focus in the a | b o £