Society of Motion Picture Engineers : incorporation and by-laws (1919)

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a minimum, providing the time of dyeing for the lighter tint is not less than one minute, which time is considered a minimum for the production of uniform results and for complete control of the dyeing operations. The time of dyeing also depends somewhat on the previous handling of the film. Film which has been fixed in a bath containing ordinary — or chrome alum, dyes more quickly than that created with plain hypo and hardened with formalin. It is probable, therefore, that small traces of alum, which serve as a mordant for the dye, are left in the film even after prolonged washing. Should the film for any reason be over-dyed, a small portion of the dye may be removed by washing for 10 to 15 minutes, though the fastness of the dyes to bleeding will permit only slight mistakes to be rectified in this manner. Life of the Dye-Bath This averages about 40,000 feet of film per 50 gallons of dyebath. As the rate of dyeing slows down the bath should be revived by adding a concentrated solution of the dye and not by adding acid. When the bath becomes muddy, especially in warm weather, it should be renewed. Method of Procedure Either the ''drum" or the "rack" method may be employed, the rack being agitated slightly to insure even dyeing and prevent accumulation of air bubbles, after which the film should be given a thorough rinsing in plain water. Before drying films on racks it is advisable to set the rack at a slight angle for a few minutes, to enable the surplus water to drain off more readily through the perforations. If drums are used for drying it is advisable to remove the surplus water by whirling the drum previous to drying. If uniform results are to be obtained, film should never be passed through the projector before either tinting or toning. How TO Obtain Intermediate Tints Sample tints may be readily obtained by making a trial with a small amount of solution on a short length of film, taking care to match the tint in artificial light and not by daylight. When matching think of the tint as being made up of one or more of the colors, red, yellow and blue. Colors such as orange are made by mixing yellow and red, violet by mixing red and blue, and green by mixing yellow and blue. Browns are obtained by mixing all three colors, red, yellow and blue. Local and Multiple Tinting Very pleasing effects may be secured by locally tinting a portion of the film picture. This can be done either by coloring each picture separately by hand or by cutting a stencil and applying the dye through the stencil by application rollers or by spraying, or a 52