The Truth About the Movies, by the Stars (1924)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

¥3 Beginning a Scenario FTEN the question has been put up to me: "How is a sce nario written?" and frankly I have said, "I don't know." ^•"^ However, that query has been made so many times that I have made an introspective analysis of the situation and found certain specific things to be the truth in connection with screen writing. First, we have what is known as a story thread. In other words we map out the treatment we are going to give our story. Then the sequences are settled upon and the biggest trick of all is to get as much as possible into one sequence. That is the real work of continuity writing. So many people know about the business of making pictures now that it is just like primer to them, but for the few who don't know, after sequences are written they are split up into scenes. Several years ago when I first started writing it was the ambition of every writer, when given a story or play to see how far away from the theme we could get. There was a certain pride in taking the title of the book or play and eliminating all that the poor author had put between the covers. Great strides have been made since that time and, of course, we realize how silly we were and now try to follow to a letter the text of the book we are writing from. If some of it can't be transferred to the screen we at least try to stick to the spirit of the theme.