TV Guide (December 04, 1953)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MECHANICAL MEMORIZERS TV Stars Rely on Teleprompters to Help Remember Their Lines Ed Sullivan's show demonstrates stand¬ ard use of Teleprompter. Operator, at right, controls speed of device to cor¬ respond with star's delivery. Many shows use several prompters at different points. Performer's view of prompter in action. O NE OF THE occupational hazards an actor has to contend with is fear of “blowing up” in his lines. The pressures of television production have greatly increased that hazard. Something had to be done to prevent the too-frequent fluffs that marred so many early TV shows. An ingenious electronic device called the Teleprompter has been perfected and is in use in the major network studios. It is an automati¬ cally controlled prompt box which allows performers to read the script as they act their parts, yet with every appearance of delivering memo¬ rized lines or ad libbing. Prompt boxes are oblong cases about the size of a woman’s over¬ night bag. They work like the old- fashioned player piano, with two rollers, housed in the case, over which paper unwinds. The script, in jumbo letters, is visible at 25 or 30 feet. Syn¬ chronized boxes are placed around the set by the program director so the actor can move about freely without getting out of reading range or missing a line. The control box is like a small key 18