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TV Guide (April 16, 1955)

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. . . Drapes it on her, to gauge effect . . . . . Checks for 'danceable' hem length. Television’s Diors and Schiaparellis grind out wardrobes at so frantic a rate that one of them, Paul duPont, figures his eight-year total of cos¬ tumes in the hundreds of thousands. Assigned to the NBC “spectaculars,” duPont allows himself a whole week to costume each of the 90-minute color extravaganzas. For “Naughty Marietta,” he whipped up 3000 yards of ruffles for a chorus of cancan girls. And for “Variety,” he hastily designed a hoopless hoopskirt for the dancers. First duPont discusses ideas with producer Max Liebman. Then he broods, makes a few sketches, bastes a costume together, drapes it on a show girl and revisits Liebman. “Then,” says duPont, “Max tears it up, kicks it around, throws it out the window—and I start all over again.” No such drastic treatment, however, was accorded these duPont duds . . .