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CLIFFORD MOLLISON
191, Queens Gate, London. S.W. 7 T: Kensington 3731
AA • BA • BS • Bl • CB ■ CC • EA • FC • Gl Y: 5,11 Fuß Z: Fair
Clifford Mollison niade his first appearaiice on the stage in 1913, when he played Bertie Bradley in "Billy 's Fortune" at the Criterion Theatre. Later in the year he played the Messenger Boy in "Girls" at the Prince of Wales"s Theatre. Between 1914 and 1919 he served in the Army, and it was only after his deniobilisation that his theatrical career really began. His first post-war part was that of the Soldier in "Judith" at the Kingsway Theati'e, followed by principal röles in a large number of plays, both in London and in the provinces. The plays in which he has scored notable personal hits include, among many others, "Nothing but the Truth". "Eyes of Youth", "Come out of the Kitchen", "The Safetv Match", "Loyalties", "R. U. R.", "Lilies of the Field", "A Magdalen's Husband", "The Eikes of Her", "Pansy's Arabian Night", "A Midsummer Night's Dream", "The River", "The Unfair Sex", "This Woman Business", "The Blue Mazurka", etc.
Recently he achieved considerable success in the spectacular play "White Horse Inn". Naturally, an actor of Clifford Mollison's calibre could not stay away froin the screen even had he desired to do so. In "Alinost a Honeymoon ", made for British International Pictures at Elstree, he proved that he was a valuable acquisition to the talking screen. He has the rare capacity of niaking his audience sniile inwardly by everything he does, though he can also evoke loud laughter when he likes.
Clifford Mollison erschien zum erstenmal auf der Bühne im Jahre 1913, als er den Bertie Bradley in „Billy "s Fortune" am CriterionTheater spielte. Im gleichen Jahre noch trat er als Messenger-Boy in „Girls" am Prince of Wales-Theater auf. Während des Weltkrieges war Clifford Mollison bei der Armee und erst nach der Demobilisierung begann sein Aufstieg an der Bühne. Seine erste Nachkriegsrolle war die des Soldaten in ..Judith" am KingswayTheater. Es folgten führende Rollen in einer großen Anzahl von Stücken sowohl an Londoner Bühnen als auch in der Provinz. ^ on den Stücken, in denen er seine größten Erfolge hatte, nennen wir: ..Nothing but the Truth". „Eves of Youth". „Come out of the Kitchen", „Tiie Safety Match", „Loyalties". ..R. U. R.", „Lilies of the Field", „A Magdalen's Husband", „The Likes of Her". ..Pansy s Arabian Night". „A Midsummer Night s Dream", ..The River", „The Unfair Sex", „This ^ oman Business", ..Tlie Blue Mazurka" usw.
Kürzlich hatte er sehr beachtenswerten Erfolg im Lustspiel „Das weiße Rößl". Selbst wenn er es gewünscht hätte, wäre es Clifford Mollison auf die Dauer unmöglich gewesen, sich vom Film fernzuhalten. In ..Almost a Honeymoon". das von der British International Pictures in Elstree gedreht wurde, zeigte er zum erstenmal, welch eine wertvolle Akquisition er für den Film bedeutet. Clifford Mollison besitzt die Fähigkeit, die Stimmung des Publikums vom inneren Lächeln bis zu Lachsalven zu steigern.
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