Universal Filmlexikon (1933)

Record Details:

Title:
Universal Filmlexikon
Date:
1933
Author:
Universal Filmlexikon
Publisher:
Berlin, Universal Filmlexikon
Volume:
Universal Filmlexikon (1933)
Leaf #:
000153
Language:
German
Collection:
Germany and Global Cinema
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
March 28, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Dr. FELIX GÜNTHER Berlin W 15, Xanlener Sir. 8 T: Oliva J 2 6963 phot: A. Moesigay, Hamburg Komponist nnd Dirigent SPRACHEN: Französisch. Englisch. Deutsch Musikalischer Bearbeiter und Leiter von „Bettelstudent", „Kaiserin Elisabeth von Oesterreich", „Dreyfus", „Schuberts Frühlingstraum", „KyritzPyritz", „Kohlhiesels Töchter", „Ich bleib" bei dir bis morgen früh" usw. Seit 1905 für die Schallplatte tätig als Pianist, Dirigent, Instrumentator und Aufnahmeleiter. An wichtiger Stelle Mitarbeiter aller ersten Mikrophonversuche für Tonfilm (mit VogtEngel-Massolle), Radio (Funkstunde Berlin) und Schallplatte (Homocord). Musikalischer Regisseur der Weltkonzertfilme der „Comedia". Spezialgebiet: Instrumentation für die Mikrophonaufnahmen und Durchführung musikalisch komplizierter Aufgaben, besonders bei Versionen. International bekannt durch Konzerte in allen Großstädten. Neuestes Engagement : Der Zarewitsch. Composer and Conduclor LANGUAGES: French. English. German Wrote incidental music to "Bettelstudent", "Kaiserin Elisabeth von Oesterreich", "Dreyfus", "Schuberts Frühlingstraum", "Ich bleib' bei dir bis morgen früh", "Kohlhiesels Töchter", "Kyritz-Pyritz", etc.; since 1905,has made gramophone records in various capacities — as pianist, conductor, orchestrator, and recording director; has collaborated importantly in all the initial microphone experiments for the talking film (with Vogt-Engel-Massolle I , the radio (Funkstunde, Berlin ) , and the gramophone ( Homocord I ; musical director of the world-concertfilms of the "Comedia"; specializes in orchestration for microphone recordings and in the Solution of complicated musical problems, particularv in connection with foreign versions of films; is intemationally known from appearances on the concert platform in all the great cities of the World; latest engagement: "Zare\v4tch". D 8* D 115