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Feature Women
HE ÄTHER THATCHER
33, Denhijih Street, London, S. W. 1 T: Sloane 7451 or Victoria 2060
HEIGHT: 5ft. fiins. HAIR: Blonde.
EYES: Dark Blue ROLES: Strai!;lit, Comedy, Musical Comedy,
Sinzing DIALECTS: Cockney VOICE: Soprano INSTRUMENTS: Piano DANCING: Ballroom, Character SPORTS and RECREATIONS: Tennis, Golf, Riding, Moto ring, Skating,Swimniing, Di Ving
GRÖSSE: 1,71 m. HAARFARBE: Blond,
AUGEN: Dunkelblau ROLLENFÄCHER: Ernste und heitere Rollen,
Operette, Gesang SPRACHEN: Englisch DIALEKTE: Cockney STIMME: Sopran TANZ: Gesellschaftstanz BESONDERE FÄHIGKEITEN: Klavier SPORTS: Tennis, Golf, Reiten, Chauffie^en.
Schlittschuhlaufen, Schwimmen, Springen
phot ; George F, Caumons, London
Played her first part in "The Girl from Ciro's", then a musical comedy part in '"The Boy", followed by the leading role in "Buzz-Buzz" and in "The Naiighty Princess"; created a comedy part in '"Eileen"; was for four years leading comedienne at the Winter Garden, playing opposite Leslie Henson in "Sally", "The Cabaret Girl"', "The Beauty Prize'", a revival of "Tonight's the Night", "Primrose" and "Teil me More"; later, played Beatrice Lillie's and Gertrude Lawrence's parts in Charlot's Revue and the leading roles in the comedies "Thy Name is Woman", and "Quest"; played in Somerset Maugham's "The Constant Wife"; made her screen debut in "The Plaything" for B. I. P.; then played farce opposite W. H. Berry and Leslie Henson in "The Warm Corner" and "Oh ! Daddy"; made her first appearance on the talking screen in "The Warm Corner", with Leslie Henson; went to Hollywood to make "But the Flesh is Weak", with Robert Montgomery, for Metro-Goldwvn.
Erste Rolle in „The Girl from Ciro's", dann eine Rolle in „The Boy" und gleich darauf die weibliche Hauptrolle in „Buzz-Buzz" und in „The Naughty Princess". Dann kreierte die Künstlerin eine Rolle in dem Lustspiel „Eileen". Vier Jahre am Wintergarten, wo sie als Partnerin Leslie Henson's in „Sally", „The Cabaret Girl", „The Beauty Prize", „Tonight's the Night", „Primrose" und „Teil me More" auftrat. Dann übernahm sie die Rollen von Beatrice Lillie und Gertrude Lawrence in Charlot's Revue und spielte die Hauptrollen in den Lustspielen „Thy Name is Woman" und „Quest". Dann folgte Somerset Maugham's „The Constant Wife" und ihr Filmdebüt in „The Plaything" der B. I. P. Dann spielte sie in „The Warm Corner" und „Oh! Daddy". Erster Tonfilm: „The Warm Corner" mit Leslie Henson. Sie ging dann nach Hollywood, um in „But the Flesh is Weak", mit Robert Montgomery, für die Metro-Goldwvn eine Rolle zu übernehmen.
E 5*
E 67