Universal Filmlexikon (1933)

Record Details:

Title:
Universal Filmlexikon
Date:
1933
Author:
Universal Filmlexikon
Publisher:
Berlin, Universal Filmlexikon
Volume:
Universal Filmlexikon (1933)
Leaf #:
000350
Language:
German
Collection:
Germany and Global Cinema
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
March 28, 2024
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Leading Women phot : Dorolhy Wilking, London phot: Pearl Freeman, London BETTY FRENCH 76, Holland Park. London, W. 11 T: Park 7940 HEIGHT: 5ft. 4ins. HAIR: Fair. EYES: Light ROLES: Straight. Comedy, Musical Comedy, Dancing, Singing LANGUAGES: French VOICE: Soprano DANCING: Stage. Classic, Ballroom INSTRUMENTS: Piano SPORTS and RECREATIONS: Riding, Motoring, Tennis, Golf. Swimming Played the leading part in "White Horse Inn" at the London Coliseum over one hundred limes, and is playing the same part in the production on tour; previously played the Soubrette röle in "Eldorado" at Daly's Theatre, preceded by second lead in Clayton and Waller's production "Virginia", on tour; earlier still, played Lily Elsie's part in "The Blue Train" on tour, having understudied her at the Prince of Wales's Theatre, London; previous to this, played the leading part on tour in the straight play "The Monkey Talks"; originally studied singing and pianoforte at the Royal College of Music. GRÖSSE: 1,66 m. HAARFARBE: Blond. AUGEN: Hell ROLLENFÄCHER: Ernste, komische Rollen, Operette SPRACHEN: Französisch STIMME: Sopran TANZ: Bühnentanz, Gesellschaftstanz BESONDERE FÄHIGKEITEN: Klavier SPORTS: Reiten, Chauffieren, Tennis, Golf, Schwimmen Spielte über hundertmal die Hauptrolle im „Weißen Rößl" am Londoner Coliseum und auf Provinztourneen; vorher gab sie die Rolle der Soubrette in „Eldorado" am Dalys-Theater und die zweite Hauptrolle in Clayton und Wallers Inszenierung von „Virgitiia'" auf einer Tournee; noch früher spielte die Künstlerin die Rolle der Lily Elsie auf einer Tournee mit „The Blue Train", nachdem sie vorher am Prince of WalesTheater in London die zweite Besetzung gegeben hatte. Sie hatte auch die Hauptrolle in dem Stück „The Monkey Talks" auf einer Provinztournee übernommen, nachdem sie ursprünglich am Royal College of Mnsic Gesang und Klavier studiert hatte. EVERLEY GREGG c/o Universal Film Lexicon, 6, Bouverie Street, London, E.C. 4 T: Gerrard 2160 Specialises in Bröken French HEIGHT: 5ft. 7ins. HAIR: Medium. EYES: Dark ROLES: Comedy, Vamps, Character, Svmpathetic, Modern VOICE: Mezzo Soprano — INSTRUMENTS: Piano, Violin LANGUAGES: English, French — DANCING: Stage, Ballroom DIALECTS: Bröken French, Southern Counties, Cockney and American SPORTS and RECREATIONS: Cricket, Swimming. Cycling. Riding, Tennis Provincial tours: "Hit the Deck" Repertory at the Alexandra Theatre. Birmingham. London West End Production»: "Easy Virtue" with Jane Cowel. "The Constant Nymph" with Edna Best. "The Matriarch" with Mrs. Patrick Campbell. "Private Lives" with Noel Coward & Gertrude Lawrence. "Five Farthings" with Marie Tempest. "Grand Hotel", and simultaneously understudied in "Always Juliet" with Edna Best & Herbert Marshall. "Behold we Live" with Gerirude Lawrence & Sir Gerald du Maurier. Spezialität: Französisch-Radebrechen GRÖSSE: 1,74 m. HAARFARBE: Braun. AUGEN: Dunkel ROLLENFÄCHER: Heitere Rollen. Moderner Mädchentyp. Vamps. Charakterrollen — STIMME: Mezzosopran BESONDERE FÄHIGKEITEN: Klavier, Geige SPRACHEN: Englisch, Französisch TANZ: Bühnen und Gesellschaftstanz DIALEKTE: Gebrochen Französisch. Southern Counties. Cockney und Amerikanisch SPORTS: Kricket, Schwimmen, Radfahren, Reiten Provinzerfolge: „Hit the Deck". Längeres Engagement am Alexandra-Theater in Birmingham. Rollen an Londoner Westend theaterii: „Easy Virtue" mit Jane Cavel. „The Constant Nymph" mit Edna Best. „The Matriarch" mit Mrs. Patrick Campbell. „Private Lives" mit Noel Coward und Gertrude Lawrence. „Five Farthings" mit Maria Tempest. „Grand Hotel" und gleichzeitig zweite Besetzung in „Always Juliet" mit Edna Best und Herbert Marshall. „Behold we Live" mit Gertrude Lawrence und Sir Gerald du Maurier. E 80