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-THE MOVING PICTURE WEEKLY
Musical Setting for
"THE PLOW WOMAN"
and the Universal Program for Week of July 2
^ Specially selected and compiled by M. Winkler.
S This picture does not suggest any music theme.
= 1. "By the River," Romance, (12-8 Andante Sos
— tenuto), by Morse, until "The Wilderness had = thought Mary." 2. "Heart Wounds," (Dramatic Al= legretto) by Grieg, until "She was ready to suffer."
— 3. "Dramatic Tension," by Funck, until "The fort
— was a part," etc. 4. "Simple Aven," (4-4 Moderato) = by Thome, until "Cloud scene." 5. Silence — Watch = bugle call and cannon shot followed by 6. "A fter Sun
— set," (Dramatic Moderato) by Pryor, until "Father
— was right." 7. "Indian War Dance," by Geo. Smith, = until "No wonder this boy's father," etc. 8. "Scalp = Dance," (Indian Characteristic) by Lake, until "In
— terior of room." 9. "Dramatic Tension No. 1," by = Reissiger, until "I'll be your brother." 10. "Lamen= to," (4-4 Dramatic Andante) by Gabriel Marie, un
— til "If you'll hit me," etc. 11. "Draynatic Tension," = by Winkler, until "That night Mary," etc. 12. "SerE enade," (4-4 Moderato) by Widor, until "At the sol
— diers' rest." 13. "Prelude Du Deluge," (4-4 Adagio) = by Saint Saens, until "Storm scene." 14. "Erl King," = (Dramatic Agitato) by Schubert, until "You'll be all E right now." 15. "Maximilian," (Dramatic OverE ture) by Ascher, until "There was a school at Bis= mark." 16. "My Dreams," (6-8 Andante Moderato) = by Dorathy Lee. until "She knew that he would fulE fill." 17. "La Grace," (4-4 Moderato) by Bohm, unE til "Interior of barroom." 18. Piano Solo — impro= vise to action until "The fight." 19. Good Hurry E to action ( Watch bugle call) until "After the* E fight." 20. "Indian Love Theme," by Winkler, until E "I've got to go to Bismark." 21. "Olympia," (Dra= matic Overture) by Ascher, until "All the way E home." 22. "Fifth Nocturno," (6-8 Allegretto) un
— til "Indians in view." 23. "Allegro' Hurry," by E Becker, until "Burning fort." 24. "Lion Chase," = (Grand Galop) by Koelling, until "Peace came with E healing wing." 25. "Under the Harvest Moon," E Reverie, by Ball, until the end.
E NESTOR— "Poor Peter Pious" (Comedy)
E 1. "Amour Du Papillion," by Henneberg. 2. "In
— the Bungalow," by Langey, until end.
E GOLD SEAL— "A Young Patriot" (Three Reels)
E REEL L
= 1. "TriumphaMt America.n March," by Von der
= Mohden, until "You're sitting on my map." 2. "Bitter
zz Siveets," Intermezzo, by Engelman, until "We're
— some scrappers." 3. "Lakesonian March," by Lake, E until "Niklow Vitez," etc. 4. "Idilio," by Lack, un= til end of Reel 1.
E REEL XL
E 5. "Valse Lente," by Schuett, until "Bedtime was
E a big event." 6. Long Battle Hurry to action, until
"Exterior scene." 7. "Poor Relations," by Bendix, until "Telephoning." 8. "Menuet des Follets," by Berlioz, until end of Reel 2.
REEL m. ^
9. Lon Mysterioso to action until "The fight." 10. "Allegro," by Bach, until "The sword that flashed." 11. "Agitato" to action, until "Explosion." 12. Produce effect followed by 13. "Cavatine," by Bohm, until end.
VICTOR— "Not Too Thin to Fight" (Comedy)
1. "Intermezzo," by Pierne. 2. "Danseuse," by Blon, until end.
VICTOR— "Dare-Devil Dan" (Comedy)
1. "Grazielle," (Valse Italienne) by Kretschmer. 2. "Tunisia," Intermezzo, by Laurendau, until end.
NESTOR— "Five Little Widows" ...(2-Reel Comedy)
REEL I.
1. "Salome," by Tobani. 2. "Affaire D'Amour," by Gavotte, until end of Reel 1.
REEL IL
3. "Vampire Galop," by Cruger. 4. "Bijou," Gavotte, by Tobani, until end.
BISON— "The Wrong Man" (Two Reels)
REEL L
1. "Western Moderato, by Bach, until "You two are big enough." 2. "Wild Rosebud," by Tobani, until "There were no rivals." 3. "Western Allegro," by Winkler, until "The Fight." 4. Hurry to action, until "After the fight." 5. "Quietude," by Gregh, until end of Reel 1.
REEL IL
6. Good Galop to action, until "After the fight."
7. "Grandiflora Morceau," by Stundt, until "When Ben's jail," etc. 8. "Lamento," by Gabriel — Marie until the end.
JOKER— "The Twitching Hour" (Comedy)
1. "Joker March," by Lake. 2. "Trombone Sneeze," by Sorensen, until end.
BIG U— "The Mad Stampede" = (Drama)
1. "Extase," by Ganne. 2. "Varen," by Grieg. 3. "La Grace," Morceau, by Bohm, until end.
IMP— "A GIRL IN THE LIMOUSINE" (Drama)
1. "Olympia Overture," by Ascher, until "The fight." 2. "Hurry No. 4,' by Lake, until "We knew you were after us." 3. "Idyl," by Hyman, until "That evening." 4. "Romance," by Rubens, until "A matter of minutes." 5. ' The Chase," by Koelling, until "I'm going back home." 6. "Adoration," by Barnard, until end.
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