Universal Weekly (1932-1936)

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IT TOOK 20 YEARS TO MAKE THIS PICTURE! One of the most interesting and t a fan magazine. This story, hy Ed from the New Movie Magazine of this issue has over 750,000 circa By Edwin C. Hill Fsmous Radio Reporter Cameramen have been photographing it ever since the year 1914. 1 mean the last twenty years that have shaken America industrially, socially, morally, like a rending earthquake. The World War’s aftermath of despair and paralysis. EDWIN c HILL Scared humanity whistling in the dark to support its courage. ... It is well-nigh impossible to get the throbbing, tumultuous, maniacal picture in our minds unless it is visualized for us. yyND that IS what the Univer sal people have done out in Uncle Carl Laemmle’s studios in Hollywood with their colorful and thrilling “Only Yesterday”; a motion picture which is the March of the Times, accompanied by all the wild laughter and the mad cries, the jazz and the cocktdils; dark followed by bursts of light, like watching the sweeping terror of a savage thunderstorm in the night . It took twenty years to make that amazing, arresting and thoroughly entertaining picture of a crosssection of American life The all-absorbing story of a group of people who saw the Devil rise out of Hell while they played contract and drank cocktails and played at love and saw their fortunes go to ruin. Moving and thrilling and breathlessly near to most of us, “Only Yesterday” stands out as Universal’s most pretentious production since “All Quiet on the Western Front.” It was built by the celebrated director, John M. Stahl, from the book by Frederick Lewis Allen, one of the best sellers of recent years. And in the picture is an allstar cast of extraordinary proportions and class Margaret Sullavan, a young luminary of Hollywood whose work was so pleasing to the Universal magnates CARL LAEMMLE, JR. CARL LAEMMLE, SR. that they will star her next in their “Little Man, What Now?” Then, too. there are John Boles and Billie Burke and Reginald Denny and Edna May Oliver, and a featured cast of no less than ninety-three players, whose names and ability count for something out where the palm fronds rustle and the Kliegs cast their challenging glare. And back of all the stars and starlets are no less than four thousand five hundred “extras.” A multi-starred, super-spectacle Universal calls it, with some justice, one thinks, for it is certainly one of the most effective picture dramas that has reached the screen in years, and a faithful, absorbing record of the last two decades that have swept over our United States like a hurricane. . “Only Yesterday.” ... It is America and the blinding, dizzying rush of the times that you will see when the lights go dim. A little of all of us in that surging parade of life! f I The New Movie Magazvne. December, 193d