Variety (January 1962)

Perhaps. the reason more: good and worthwhile literary” properties. are not picked up for films is that. the best of these properties -at first glance seldom. seem “commer: |. cial,” especially if they are ‘off the beaten. track in any respect: Roger H. Lewis, former ad-pub and exploitation veep of. United : Artists | who is “now. about to: make. his. debut as an indie producer, . made this tentative suggestion | in. New}. ‘York last week in. commenting on his forthcoming film version of: “The .Pawnbroker,” a criti¢ally. (if not especially commercially) | “gpuccessful. novel ‘by Edward Lewis Wallant. ‘Lewis emphasized his .. “tenta tiveness,” explaining that: ‘having | ‘been an ad-pub man for so many |" years, and having. helped’ obtain | ‘headlines for all-embracing: pro.houncements by some. fatuous in-| dustry figures;: he was a Jittle re‘luctant to make statements which,. in print, would ‘appear . equally: sweeping . and. oracular. How ever, he pulled himself together and: continued: — You have to: live With a property for a while. before” “you . Gan’ see ‘its’ sereen” potential, ‘he: .. said. There’s such an abundance of ma| terial being peddled ‘that. it. ob-. viously isn’t possible to take the time necessary to consider: the ‘full ’potential ‘of each one. Major. com» pany readers have to go. through bundles of stuff. every week, arid. thus it’s something. of a miracle when a property that is out of the ordinary is spotted. for ‘what: it. might be: in the. totally. different film ‘medium. — “The Pawnbroker,” the. story of . ihe. spiritual redemption of a former inmate: of a concentration ‘camp, was read and turned .down by just about everybody in Holly‘weed. when Lewis came upon. it: ‘It grew upon him. and hedecided to take the big chance. Picture -is : going to be made in England and ‘budgeted at. between $350, 000 and $400,000—that is, at a price which will enable it to “pay off in‘ spe cialized houses, and. then if it busts: out into the commercial :houses, all’s well arid good.”’ But he doesn’t want to be “committed” to com-. mercial house acceptance from the start. “It’s not that. sort. of prop-. erty.” The announcement. that he and his partner, Philip Langnér, are’ going to shift the Harlem’ locale of the novel to: London's Soho, raised’ a few questions anent ‘socalled runaway. production. ‘Lewis | answered these in‘ two parts. First. by saying that both. he and the’ author felt that the opportunities for developing the atmosphere of the story’ would be ‘better in. Soho than Harlem, pointing out too that if he were insistent upon. making a film-in England “no’ matter. ‘what,” he would not necessarily seek a. praperty. that could be mare. authentically. done in Harlem... ~ Secondly (and ‘ frankly): he’ acknowledged that coproduction .and Eady subsidy benefits were such that he could not: afford to do ‘the. picture here even if he wanted.-to. However, if. financing . were . the only reason he was going ta: Eng; Jand, he certainly would not ‘have. Dicked an inappropriate work with. which to cross the Atlantic. ‘He. leaves for England in a couple of weeks to line up a. British. screen-. writer. ‘The fact that . his. first pie is |.¢: definitely aimed ‘at ‘the. “special. | + . ized” theatres, doesnot necessarily | mean that Lewis will be confining |.{ ‘himself :to this. genre’ in ‘the. fu-. ture. He. says he has ‘a couple of.|: exploitation picture. ideas. perking. and that he wants to. be: inyolved.|_ jn: all types ofproduction.. Using a favorite phrase. of. his former | hhass, Max Youngstein,. he’ com-. mented that “this is) a.carnival. -. business, after all.” 7: . . Raising the “frorit money” on: : “The. ‘Pawnbroker” was difficult.: ‘he reported: but now -that: he’s: got. that, everything s€ems to be com‘Ing. up roses.. Several ‘distribs, including a couple of majors, are interested. When he..was scrounging around trying to get the front money—with which to acquire the ‘property and prepare a. treatment, he said he was: sorely tempted to-|' | use his own dough’. (“it ‘really wasn't that much’). But -he decided: Roger Lewis, As Hesitant Oracle, In High on Unballied Pawnbroker’| “else interested enough to: join him “Saieos P,’Skouras, ‘president ot | : 20th ‘Century-Fox: ‘Pictures, will be. Langner:came in... portunities. And, in a-burst. of can-: dor: “If Tdon’t ‘make At, its my: . own. ‘damned fault.” °°: ‘Embassy. Pictures ‘‘but..it® will’ be: ‘Follow That: Man’ -Ous’ ‘February. off in the ‘trend: of recent ‘years. in-the project; then he'd better get | out of the business. This. iswhere. ‘The former ‘ad-pub exed Is. riialntaining his ad-pub enthusiasm: the. production -situation -today: is. tremendously-exciting:and full of op On’ Carpethaggers? . Levine Shoots Big: Hollywood; ‘Jan. 30... “Not only ‘will’ Joe E. ‘Levine pro‘duce. “The | Carpetbdggers”” for one. of the most expensive ‘pictures: ever made in. Hollywood,” he’ de clared just. before emplaning” for : Gotham: Friday. | "SY will spend at’ least: $5,000,000: |on it,’ Levine revealed. Although. he hasn* tyet: signed. director, ‘writ-.). -er-or stars, hepromised “they: will he tops.” ‘Additionally the.-.way. I -will “produce it will make. Holly ‘wood look awfully good. There are | ‘afew words ‘in’ the .book ‘which naturally will be omitted.” : Asked, . “How many. pictures: dol you: ‘plan to. make .this | :year?”. ‘Levine quipped, . “Pim... sorry.’ you ; ly don’t ki ow.” | Teminded me. i rea ly mam | certain: boxoffice ‘bet; espécially: at-|. {| Jaunching, ‘which often ‘foreshadows |: “NOTHING, HSE. TO. FOLLOW. In Sans ‘oy ~-Publicity.’ Aides. os oi sone ‘Denver, “Jan. 30." Vogue Art theatre:here. will have ‘the first. American’ showing of the: Lopert production . Man,” a comedy | filmed. in Great Britain: and: starring Sid. Chaplin : (Charlie’s. son) and Don: Addams, . ” .As*there are no ‘ads, press Dpook ‘or publicity. material . available. ‘for. the American release ‘of the: film; Bill Ramsey, manager “of the Vogue. ‘has been ‘given the: assign ment of preparing all copy, layouts | | ‘and press notices for the showing | Feb: 15 and his campaign will be. used in. subsequent ‘releases of: the |. film: throughout the vU. Ss, according. yte » Ramsey, Doe ~ Why Pic Gloom? — Continues from: page. 3 — ~* tmaking ‘also. dealt. with subject: of. nuclear |: “| disaster. This,’ natch, is one reason .| Universal. is making ‘with. the heavy _-| Screening. |} moguls.’ are.“also ‘convinced there |. is more: ‘public awareness today of |: ‘the ‘nuclear peril’. —last: year’s. trade being ‘alittle |": that: it affirmis ‘the ‘boxoffice: pla-’ teau™ spanning: the past: four years under.‘59-but a. little. ahead. of ’58: As for. receipts, Sindlinger’ esti-. ‘mates: -the™” 336.000, compared. to the previous | year's ‘$1 456,739,000. .: Takes. are | calculated ° on. the. basis of a 68.5-" cent. average admission, , . There's -aconsoling. ‘point made: by Sindlinger that. biz. last -year |. would. have: risen higher: if not -for. | fhe beating ‘boxoffices :took from: ‘the weather last ‘February, when; grosses fell. 19%. @ under ° ‘the brevi ‘Repost.-aiso ‘indicates: a leveling ‘to drive-in’ business: Of total .adult ‘paid .attendance: last year, 32.7% | was accounted: by. ozoners, ‘compared: with BaP%in 1960." the. other weekend. ploitation. ‘eaecio 70;” the activation. of which’ -phia. Loren, ~ prime. “purpose of | ‘|.whose Manhattan: quickie” was' pick up. her.. award for’ lease... he was inthis business ‘as a full-|television trump 10 come. Seems, time pro, and if he weren't ‘a good enough" salesman: to. get Someone . [ | of ‘the annual. convention: are now, shaping up, following: B ‘meeting 0 of. ; directors. Jast week. fos ‘tendance.” “records, “ — | Richard’ H: Orear, its pr ecident and. oo ‘this’ one’ will: “have | an. extensive | . -| otherwise | good film: can be it: ‘hanced atthe wickets’ in ‘the initial . ‘} firstruns. hy: impressive’ pre-release 1 excitement, feeling :of. sales execs | | is: that: generally the | pic’ will then | take . care. af. itself. .in resultant j Wet cand. I mS | Starts, This: Year.: Paes Dees. ¥ This: Daté,: Last Year... wees: ot ah “Follow: That, : business. . oa Yoeentivity. = “61° ‘tofal-’-at_. $1.485,|. -} saturation _ ‘Tuns,” “Specialized entry.:. If": the * Jatter, there’s' the possibility. it’ may even | nail some art-housé. dates; but: this. S eontea: Get, 30) pes “NINE. ‘HOURS TO: es “Manhattan-based. eriti¢s. ‘Duffy. Square (Broadway) premiere. fany. promotion. ‘of a:three-panel display. for. “Boc-‘ prices. ; 7 Arig ‘Sunday Phy Buy |. ae |THE “THIRD | DIMENSION” had a. glamor ‘assist from star’ ‘So-} N.Y. Film, Crities"| “Two: Women:” ian nee ‘ago. ‘picked: up ‘the. film Tights to}.” a3. v.. aioe ‘[Hguana,” Yesterday (Tues): bought DRONOY é Show-a-Rama: Kansas City, Jan. 80... the keynote. speaker: ‘for. the United. || Theatre Owners “Show-A-Rania ve le Bre 800 Attendance | _ se : “ALLIED ARTISTS ? -Starts; This Year. : Sevews oe ea 0 |: This Date, «1 Last: Year. aves 3 . tobe held: here March. 6-8. ‘Details' ; — ‘also head of. Commonwealth "Thea~ tres: Attendance 6f.800 ‘is. the. goal, with’ ‘a ‘inembeiship: from seyen | ‘states. Lust. year’s -attendance was || in the. 700-bracket for the first time |}: ne the: ‘history ‘of exhib, meetings | eres oe. ‘As: with récent’ “Show-ARajnias,” ” trade: ‘show. in. connection,’ “all ‘séssions -and -exhibits: being ‘at the.| lighted: in. the Tuesday “afternoon. ‘séssion with a. clinic preserited. hy. |7 — Dr.-Herbert. ‘True: and Fred Klemp, consultants: ‘in’ the. field... =a. 5 Goitiniea tom ‘page, 3 — “word-of-mouth: to: “assist an. “Une the’ ‘ultimate __b.o.. ‘prowess: If -an} snowballing* OF :pookings' ” At presenit: time i Is. “eonéentrat=' ! tng: the. screenings in -Gotham ‘and. Victoria, “-.N; ¥. Sereenitig are’. booked. It’s ‘been. -a. “YES, ‘consequence .to: the. US. market, | unlike: : Stanley Kramer‘ Ss ‘Money | ‘On: 'the:: “Beach,” : which . Sked; : but .company than: : JW hen: équates ~ their . ‘view: with All this, to” be. “sure: the predicament. at Universal is all: about... Film’sgeneral: -release. js. pencilled for May, but the ‘playoff kickoff. Pending. ‘Feactiopi—which way--U will handle ‘the pic. either /aS..an exploitationer,: “with, stress. on’ would. be’ influenced: to some. degree by the reception. of the key In coluted ‘And High F lated 3 ~ [MEANIN' G JOE. E. LEVINET : wey “World: Of : oa Séven. Arts;: which. three: weeks service, photogs: ‘included turnout, ‘Broadway: show,” “Norman: Krasna’ s{ but figures more importantly on afomedy, ° ‘Sunday. in. New. York.’ a Price: ‘paid. is: iinderstood. ‘tobe coincidentally,.‘that Miss Loren.was.| about: $200,000, with. pic to go into} . “being trailed Py ‘an NEC. camera, Production’! ‘before: ‘end of the Year. | TEWO WEEKS IN ANOTHER” Town S Dir.—Vincente. Minwelll ” ‘Washington. ‘as buildup” for: the |; -preem: date in. éarly March. at. the sked; | however, will: expand as: ‘other keys . "understood. the. exhibitor aoe (mostly cirevits) reaction: so. fat has. ¢ ~ yésponse.:| “Earth” has’ no names ss of particular | . Starts: This.Year: .. ene O° ie ” Dirs. —Gera Oswald, ig "what ye “CLEOPATRA”: ‘pattern: likely’. ‘won't jell until. the = Yeturns. arg:.in. on the, Broadway. |-' ve the: advance” . sereenings are. “de ‘signed to. influénce: In ‘no’ small|.. “«Sainiuel, P.. Engel. Deseo re OF: .aS --4. more |. : = | booting in ‘New. Deli, India) PAGO 84 es Salads | | This: Date, ‘dast Year. i935 Joe Som “‘Levirie, as “demonstrated. ‘crew: ‘for: a “future: IFeh:: 29): seg-{L ‘is: attuned to. ment’ ‘of. ‘the. -web’s. the * exploitation of his. ‘own ex+ profile, series, ‘With, that : Kind’ of This. alludes. to the; plugging, Levine-engineered.. a: Tifat Woolworth a” | SFARAS SuLBA” a = . |.$Harold ‘Hecht Production) Dee (Shooting in. Salta: Argentina) ‘<Shooting-.in Paris) -. , Prods—aAlbert, “:E. “AMERICAN. IN TL. ma Starts, This Year.’ ae wae ie at , “This Pater: ‘Last. Year. ose +2 Te “COLUMBIA ‘Starts, this Year: ; : ws Fee eal “0. ie This. Date, . Last: ‘Year. ro sels TH THE WAR. LOVER” : -(Arthur’ Horriblow * Prijdiiedions) {Shooting jin England) a "alte _Prod—<Arthur. ‘Hornblow. t . * “Dir—Philip ‘Leacock ” Steve: ‘elds Robert. Wazner, Shittey, na F : Started ‘Oct. 9). “WALT: DISN EY. ‘starts, This Year. weeks tase ass 0. “This, Date, ‘Lost. Yeats. oe see 0. ‘Hotel::Continental;. also.the.scene | of. Other: exhib ‘conventions. inreiy" cent: years... Basic. theme. is..to :be|] “An. Old “Fashioned. ‘Showmanship -Revival,” ”. and: this, will -be. high-. “METRO. ~ can =| | s This Yeeros Fl 7 This: Date, fast. Year... 2) r | AShooting’ jn Rome)..: ‘Pred.—John Houseman = -Kirk” Douglas,.. Edward . G. . Trevor. James Gregory. Babalia havi Started. Oct: 2).pot tart “BILLY. ROSE‘S. JUMBO" a0 a (Euterpe™ Prods:). : a -Prod.—loe. Pasternak : Inr.—Chuck .Walters :-Doris. -Day,..§ Yante; Martha. Raye. : _ . (Started ‘Jan. 24): PARAMOUNT WHO'S. cor THE “ACTION” ‘Amro Production) © ; ; ‘Pred.—Jack. Rose. 8 Dir.—Deniel Mann *.” bert. Nita. Talbof,. ‘Margo, Paul: ‘Ford, | Lewis Charles ar tie “Started Jen. AbD. ; a 20th. CENTURY:FOX : This: Date, Last: Year... eee. 8: SeHE LONGEST: ‘DAY er che ‘Shooting in France): ts Prod. “Darryl F. Zanuck. Cn arew “Marton, -Elmo ' ‘Williams, ‘Bernard : Wicki., Ken: ‘Annakin Lawford. Robert.. Wagner, .. Tommy: . Sands, Fabian, ‘Paul. “Anka, ‘Curt Jur-. geéns,. Red Buttons, frina -Demich,: Robert. Mitchum, ‘ Jeffrey... Hunter, * Eddie’; Albert... Ray Danton, . . Henry }' Fonda, :. Menneth | More, : "Edmond. ** O'Brien “(Started "Aug. 2): | Woseph. L.. Mankiewicz Broa: . (Shooting: in Rome): ty we ee ‘Prod:--Walter Wanger’ ote wt ” str Jan’ ‘i. ‘Dir.—Joseph ‘L:. i oe Elizabeth ‘Taylor; Richard: Burton, ‘Rex Harrison, .. Caesar... Danova;' oddy “McDowall, Hume. Cronyn, John Hoyt, |’ . -. Dir.—Robert Hutton... Bele * ‘Robert’ Hotton, Les’ Teemay ni nei, Susan wes " Hart.’ Robert. Burton: sudec. Morton, -: eo , Martin Landau, “John Doucette, Rob -ert.. Stephens. ; sed ‘Sept. 25). "THE. LION’ (Shooting: ‘in. Africa Prod.-—Sumuel -Engel : ny Dir. —Jack Cardiff . ~" " William Holden, Trevor: Howard, Cane: 4 . ving, Rafer ‘Johnson, Pamela’ Franks. y RAMA (Red Lion: Prod.) Prod.-Dir—Mark Robson :. Horst. Buehbolz, . Jose Ferrer,. + Witerte: ..Gearon, Diane’ ‘Baker, Robert ..Morley,' Bon Be Eorisenkb,. Sack “Hedley, _ Shay orm a (Started "Nov. 28)". ; UNFED A ARTISTS Starts; This: Years... ete 3. . Prod.—Harold Hecht _ -Dir.—). Lee. Fhompson . . Tony Curtis, : Yul:Sryntier,’ Brad’ | Dex+ ter, ' Sam ° Wanamaker, : Perry. ‘Lopez; . ; _Viadimir -Sokoloff, .Akim :Tamiroff,. . Guy Rolfe, bra. Windish,: Daniel ‘Ocho, . Mickey .Fine . :. . "Started : Oct. 12) ar Anatole. ‘Litvak: Prod.) : -Prod.-Dic.— Anatole. Litvak | Sophia.’ Loren, sAnthony. Perking, * (Startéd~ Dee.. 15); . (Eon: Prods:), ; ‘Shooting. in: Jamaicas B.W. ip ‘Broceot, . Hty lizman. ; _. Dir-—Terence “Young. Scan onners.” Joneph | Wikeinan, ‘Jae whe a ssharied don, 10 | pobigsa. ; €sd Charisse, George Hamilton. Claire .| : SUPA Prods.) ephen Boyd., 3immy. Do: f _ GYPSY” : ‘te gd S 7 = ee ae | (Mervyn . LeRoy Predzy : Peso Martin. Lana’ ‘Turnér, Bddie , AK. : . ‘Alec’ “Guiness, °: . William ‘Holden. “Richard Toad, Peter |: , ‘ Dir.--Richard -Rush crew into” by ‘Brkic, ray ap: CHILD: is. “WAITING” a '} Stanley.-Kramer Prods) .2 0 6 0s AShooting’ at'Revuey = en FF wet on Prod.—Stanley. Kramer" whe a .. Dir.—John. :Cassavetes : cee Oo ea Burt Lancaster; Judy Garlana, ‘Stephen ae l, ‘Gena ~Rowlands,.. Paul .Stewart, ’ .bara: -Pepper.(Started: Jan. 22)" Lc. Prods) « | hooting at: Goldwyn) : UTR Se bs ‘Prod. George’. Axelrod. John. Franken: nee “ -heimer': . a Dir. John’ Frankenheimér.. James'.Gregory’ | |. Glarted ‘Jan. P22) 3 tow wef “ON IVERSAL | -Herlie, Rosalie Crutch] ey I Gtarted, Sept. ied WARN ER BROS. | “act: oF “MERCY*. _ (Cavaleade-Concor: de’ Prod. ». : Shooting . ‘in Malaga, Spain) .Prod.—Thomas ° Clyde. | ‘Dir. —Anthony.: Asquith’ (Started Nov. 27) ; “GAY PURR-EE“: ee * Prod.— Henry G.. -HermianeéGingold. Paul Prees’.. ““4Started . June 6. * 'Prod.-Dir:— Mervyn . LeRoy. Wood”. He (Started ‘Jani. 2) “IN DEPEND DEN T. | “TERM ‘OF TRIAL” ras ‘|;(Remus; Prod. ‘for Wainersy a (Shooting: in’ Dublind. ‘Prod.—James Woolf: ”. _ Dir.—Peter Glenville |: . Laurence Oliyier, _ Started Dec. 5S te | “LAWRENCE. OF “ARABIA”: . (Horizon ‘Pictures Ltd, _ for cal ‘retéane) * (Shooting in: Spain) Sy Prod.——Sam. _Splexel: we 7 ‘Dir Davia”. Lean. ° Anthony. Guinn, -,. Hawkins,. Anthony Quayle,” *. ‘Omar: Sharif, -1. S.: Johar: Zia Mohyed "s-fington, Philip. } /Dubisson,*: CHE FORSAKEN GARDEN” : o . «New: World Film Carp.) . . (Shooting an Mexico. City)” . Prod—Victor Stolaff, | “Merle. Oberon: “Steve ‘Coehrian, OTHE /SLIME PEOPLE” ae -(Hutton-Robertson: Prods. ). Prod.—Joseph: F. Robertson ~ “Bill..Boyce: Te (Started Jan. 8) “‘Unions-Producers. : nents ‘around: the ‘town, there’ were = many: times < when’ they. ‘ecouldn’ts) te. actuallyhave fitted an. éntire whion...?: <2." ‘He’ ‘added. ea -.' }that he-had.no antipathy for’ studio: 2 350! — | work, in fact preferred it, but that 2205 ee “4{ budget * “Considerations” were. ‘such. ~ |. that:it was impossible on “Tracks”. , 10. 00. Set 41 Brkie, Yugoslavian-borni,’ worked.” : ‘in the: film. -industry ‘inItaly: ‘fore 2 | 11 years. before. coming: to-the’ ~~ ~. | States ‘via ‘Shortererms.. in. France «207... ‘land Chile. In.New York he’s/peen’ “7... a active: in. commercial: and‘indusee “I trial. filmmaking.’ ‘Cox is an: BEChi« Bayt “the. ‘set. tect. -Onice: they « ‘find ‘a “aistrin: ‘tor PY their ‘initial ; project, ‘the: ‘pair: ‘plans’ wre .' |to-eentinue. with. two more. ‘prop-.° -) :., | erties, both ‘of which: ‘are originals |. me foe Whé:. also."$¢FiPtéed. V2: : |“Tracks,” The first: is. “Chimera?? 2-03. 20-7. :.}about a contemporary ‘femme: Aan Ee tale, which would require :Jocation’... 0 °'.°":3 ‘| work. in -Paris; Portugal and. Haiti, «. : a second, “The. .End: of . ‘The Begin: ae ‘Ining,”. about a playwright ‘who-gets.::.°~: as. well’ as New : | ‘Starts; This Year «. ces po te This Date,. tas Year: 3 eleree eck ar : . . a ‘Saperstein’: wo OE “| Dir—Abe ‘Levitnow.: SR ea 8 Singing and.speaking voides: “Of. uay. eo Be. -Garland; Robert Goulet,: Red: Buttons, ye Et Ph Ei i Wednesdays January 81,1962. 2-9 0 25 | ins Skouras Set for Bruce ‘Ritchey, | ‘Elizabeth ‘Wilson, Bar: .. : a a [Verne . MANCHURIAN. “canbiware™” % Dm . Frank ‘Sinatra, Laurence ‘Harvey. Janet Soap hoR ‘Leigh, Argela. Lansbury; Hepry ‘Silva, Be “Stats, This. Year. 6.0.54 0 ; ot aoe ar . . This: Date, hast. Year. oe -% cr 2 . “EREUOY : (Shooting ‘in ‘Munich) a éf". Prod,-Dir.—John Huston mee wok ‘Montgomery. | Clifte:, Susannah ork. ma ' Yarry “Parks. ' 'Susan . Kohner, ‘Eric " Portman,:‘Fernand’ Ledoux, -David « ". McCallum, © -David Kossoff. :. (Been = . ‘Leslie € Caran,. Davia Niven; Davia’ ropa Se “Rosalind Russell, Kail Malaes, ‘nace: Pee aoe Fe Starts, This Years. jiec-2. | ee This Date, Lost: Year. : oSa ‘ > ee ‘Simone " Sipnoist:. ewe JE 8 Terence Stamp, Sarah Miles, Roland pte 0 pe Jack et Tt “Claude. °° Rains, . Donald Wolfit.. Peter O'Toole, . Gin, Michel Ray..John Dimech, Gami]. |: ‘Ratib, John: Ruddock. Norman -Ros — *.. .’Anthony, LS (Resuméd ‘after. 60-dav_ shutdown)’ "3 Mk er . = Continiied ‘from, ‘page. 3: cite ule into \‘a. Pirandello-like confusion os between Allusion and. a Feality.” Ya wy Pee . rr : . “4 wee Lota gt le . . . . af . . sete . . oot . a ete a wt tt " ‘es ea? . on eee . .¢ . cote . et at . . woe wee Gt . . . SET RR IT eT ET a eeprom eee detente OE” Caper monary ee, steeyry act eles .¢ . . hee . Bye ce oe we Aa STE a oe * i 10 paleo ops meere ee ‘ armas sign heats me: sapere tr reer: