Variety (September 1962)

“the audience, ultimately: ‘got. . start: sty: lose | inter est, her” “task. could pet + in holes | in his’ ack “vith: Edi Dominge, .continues: to :do-. _Wedacetay, September | 12, 1962. a ~ ‘ALICIA GONZALEZ” Songs... 02. ; a +20 Mins;. : = | Viennese’ Lanter, N: ye a ’ Alicia ‘Gonzalez. is one: “Or: thie’ more... ‘promising: ‘imports. -breught |: VAUGHN: MEADER Comedy eo 7. Mins. 2... * Blue: ‘Angel,. N. Ye The. “cerebral school! of: ‘cémedy | “seems. ‘to: be: gaining. -more prac fitioners:‘than ‘any other: .at: this: time:.It’s -am.“enecouraging.‘sign. that, nitery. audiences are ‘respond-" -jng, and. that. the. national: atmes-: “phere -is.” such: .. that”. important’ jcountry events . can: -be. laughed. vat. ‘Vaughn. ton ‘to the: nitery: ‘circuit. -. Meader is the’: new est. in “this: ‘school, to. ‘try. hishand ‘at contem| porary ‘comédics. One of: hig assets’ Start: js-a resemblance.-to JFK; -heever. ‘to ‘match her: looks. ' ‘pas ‘the: same: ‘kind’ of hahrcut.. “needs revamping” “so” thatthe act: Meader, -after: some probes juito jean over “by “Max: ‘Loew, operator :of looker;. who. ‘Spells Although, * Miss’ “Gor zalez.. “dent” "He, has: the voice : cand.” ‘the! “mannerisnis . of the. Chief -Execulmade, easier . through “Charges ~ ine —iveplus .ahe, remarkable: likeness, |repertoire:. _ Most of Her tunes ‘are ‘and {thé niaterial -is well laéed “with: designed. to show. her: Knowledge’ ‘Jaughs. ‘Phere: are-a: few: other: bits.; of. Janguag 2és, and ‘she -knocks: off in. his-routine-that register but it's “tunes in ‘Spanch.’ French“and Htat| “the JFK.-that® gives “hime thetop Hen. | Her. English * -plateati a Pe honetic.. Meader.” neéds:: ‘strength : forépart of zhig. ‘act: : Some -of it | Continental. . “seems ‘to: ‘have’. “heen: : “built: for{ Miss. Gonvatez . cai. develop” for'| = eirled” Tips instead of outtight;the: U.S. talent ‘marts.. : ‘Jaughs.. . There’ area few holes:in jnatural -for: the. Continental: ‘rooms, his”. délivery ° ‘as well, but: withal: jand.. he has: the: makings: ‘of a’. : perma= f nent: ‘fixture : on’ ‘the: ‘comedy. eir-: fo Ho: oe Z . re enit.. with. “further: experience and? He a -with.: -more-. plugging of the. loopaaa _ Fose. « JSose ANDREA’ CHAMPAGNE. : “1 Songs © bES Mins. © wp Club. 76, Oltiwa re = Jack. COSTANZO &. RENEE, sooner etre came ig'an acteséc hfe | who. Sings, but “above’.all ‘she’s ‘a ’ ae ‘looker: and niany ‘customers: at. 49 Min. re Club 770 ‘would. ‘have -beeén ‘satisfi d’ _.-Losers,: L.A. | ine, f ub 70 “wot ave: e just: to ogle: her. Biond..and “statked,. (With .every. feature . in. ‘place and} effective; “Miss..Champagne’s chief | chores .are thesping:. fot Canaéa's: ‘French-language, television... and. radio. ‘from : Montréal. She: handles | Jack “Costanzo: &: Renee’ Renéx “debuted. a new act’ that. ‘looks: like. a good ..bet « ‘for. : ‘building. ‘lounge: business. Loud. fast and frevietical-oy rhythmic; it . particularly : “suits: : Noisy: "Vegas. spots::: Miss Renor, ” earlier: ‘paitner ed | | has: no constructed routine. “Pipes: are’ ‘pleasant. and adequate. ( “all to: the” “White | “House: “| Baumel, as a..Cabfnet officer, get| | ling Sterling, as. little Caroline,-‘on | | the. line ai d. never. quite -getting | | through -to daddy.: “AS: oa ean + the |t "4 -Frenchbaldhéaded .mén, :tv,. and,| -. [-pingently. dig: Castro and: Khbrush-| cheyveo “| ‘There is-a ‘straight ‘bit: with. Ster-| ling: War ‘bling “Yowll Never Walk Alone”. and Baumel -on. the; drums: ‘that. changes. ‘pace Hicely: ‘Sterling |: “ft wm 0 : ‘the Viennese Lantern. ‘The’senorita ‘has an. insiing’ to: impresh-as ‘Tony was: ‘eaught : by. the. impresario in: Seville and:-the. transplant: to. this: | ‘indicates aw orthy. addi; a ocalizing: oBaN: MARTIN. | Songs. © “Miss” Gonvzalez..is.a~ ‘dark, sultry’ sex -froni..the ‘She Was: a deep’ Set. Vaice.} ~The ‘catalog 7. build ‘and hold: niore. effectivest; ‘seems: to ‘bey: She's ‘a she. cen-. “work ¢ the regulation ‘autobidgraphical,. hiterieswith a ‘revamped “Song, | petition cHirp . -hookin gs. infrequently “and LILLIAN ‘MERNIR, Lo they: bonibard «. King Saud, Martin’ andPinza. Finale with his]. ard:..Bauiiel on ‘the ] Papers Js is: ‘Strong retistty. . ae no Muth. 25 MMi ins. . Betationdt N: ¥. * Jean; Martin. who ‘has keen sing: i of that heavenly.: ‘ing: ‘the “plorie. jcotiee: ron. _, telecom mercials. ; “fOr Bit warriage. .ismaking ‘her nitery“debut. | Miss. Martin: has) har’ a varied: song career! She has been. {on yadio ..and yiore” ‘latterly. orn -Nidéo “with fe. éoffee plugs. Miss . Martin. has--a “good. yoice” “but. she. -delivers her. | ana: Jooks-tomatch, but apparently. | in ‘the: “Fines, with the. halting. charm. of 2 treats niteries as‘ sotiietime: thing.” ‘Her’ turn. shows . ‘inadequate’ prep| | aration: and -a Tack f conviction iw davhat-she’s, doing. She. does:. have a. -special ‘material « tune, niainly eoffee.“comiercial. ‘is ‘in. com thor: ovghly for the: occasion.. -enceé. Her turn: made use-of a Twist ‘Sequence* in: ‘-which:° got. “up: ‘on stage for a bit ‘ofa Wiegle’ a ose. ‘Songs: oe "18 Mihs. with = we ' Ralph Alswana;. musical: director; |-Colin: | Sept. 3, 62: aE, GteeR | Theatre, LA. thes "news: ‘Bee AMIS C of: her Seba and . ‘her Athemes. have a: recurring . allusion: to er’ Apparently. a Not ‘of work was. poured into , the. “turn: by arrarigers | and wr ‘iters, but ]:? net. by the singer.. .Miss" Martin, . | when. assaying” cafes: . ‘Avith ‘competent ° -profes} |‘stonals; ‘and: she: might have: stacked. up. well. had. she © prepared: more : ‘iams goes. “through a, number -o£ | ‘the: Préem night. evidenced ner ‘abil+ quently in arrangements filled ‘with ity: to ‘attract celebs,.in’ the: audi= well-knowns. | “| ay Haven't A. Chance,” Unit Reviews “Andy. ‘Williamis-Al ‘Hirt ri" Los’. Angeles, . Sept: 5.. “Greek:: Theatre ‘Assi., James Doolittie,. “general manager, “presen-of the: musical numbers -could. be tationof Andy. -Williams and. Al: jettisoned. . -Hirt,. featuring:.the New “Christy ‘The’ WildWest. episodes. which ‘Minstrels, directed ° by. Randy “open. the show ,, are. tame for audi Sparks,and. the: Greek: ‘Theatre {| ences. conditioned to filmed caters, ‘Orchestra. Stated ‘and. lighted by. To see. cowbeys and: Indias play acting at. altacking, ‘ scsiping and musical | lynching. looks. jike. kid: ‘SY €SpeOpened ‘cially when the'players immediately “shake the sawdust’ ftom. .-their clothes’ and trot behind the fence ‘the intent defeated itself by: redue Romoff;' associate. .directGr;: Dare Grusin: $5. 50 TOP, These bifs are. “Foo mich material and 3 iniproper “dom.,. jeading the viewer to wonder “balance in staging limit the‘ overall. “impact of ‘the’ Andy . ‘WilHams “Al. Hirt “show,’ although-. both per4 forméis” at, Monday. night’. «37: around the.arena ravher: than five. ing the impact of the show’s few. ‘exciting moments. -Certainly some, ‘te: get sct-for° the next SEGtence,. rawn. out. 19, bore-. why it. wouldn't suffice te inti gduce. acovered. Ma} gon W ith two. turns: opening ay: ew “hefty resporise that John. Ford, the bigeest bh a. forcign would indiéaté: “they, should be a director in Japam. is ciedited with solid : draw. ~ | having. directed these scenes: For It ‘keeame. apparent as. "the. shaw. } tunately, chis. reputation is secure, prog ressed—and. ° thé. night ‘srew The -ceriter piece at bisiness. a 1 colder = ‘that Ww ilaams aCas. major | niock bull fight. is most laugh able: 2 st unned, but Dec& use Sitiger.; It leaves. the audience (wen Mith excitement, victim: ‘of: the: inibalance. pre operly vhas-the Jast™ ‘solo. but: his “punch is. lessenéd by the’ late ‘hour ‘@reated by “too”-much -materisi in | having. happened . the -fifst ‘part. . Ai. Hirt’: andthe }-Passes. at. a. rather also. ‘featured New” Christy Min: | bull: str els:-are. on: too: Jong. Latter have: ‘Mexican band that apparently was except. liams’ forthcoming. teleseries and [.concert.. ‘apparently are being. pushed, but ‘they. end up with. more: exposure’! in this’ show than the. star.: ‘When’ ‘he* does’ -come~on, | show comes during the redec sep‘}ment.. And. that is iampered by Wil-! ‘the makeshift arena which ‘causes cowhoys to ‘undérstandably Standards fia ‘ballad“stvle -show4 Shy. fram. the fences, ing _coricentrated technique. Hes throwing session, ior example, the hasan amazing: ability for strong; | beef : Was -across the arena almost “sustained tones: and “USES. | :jt: fre-+ t before the cowhbeys kad their | horses in full stride with the result yocal tticksand’ gimmicks, “He ap| that six out-of. six failed to grcund peared. ander ‘a ‘slight .vecai strain ¢ the: steers. ‘at “the. preem,. had some . throat { With the Call roping, and diffichlty.. and. becke Gccasionally.. 4 either, The. -bu:king™ prone contest -was ~His_ strongest “number” is-a bluesy I more . fitting to the close confines, : but’. mast } “ “ sincere--is: the’ straight. softly: de-4 since most. of the cov boys; includ“1 Jivered.-“Dastiv Boy.” Stele ‘re-} ing . show. foreman Casey ‘Tibbs, | sembles a carelill Como. He Works | were promptly dumped. “A stand-. it abruptly winds up w itheut: muecn.. -somedisinterested This. act is heruided hy a ‘béen signed as’ tegulars on Wil-j-determined “to ‘give a/ ful iength ‘The . only deal excitement of the. No: records: were set. tying hard on “What. ‘Kind of” ‘Fol Am } cut during this final portion, was Many of the’ numbers: With which | Tunes are .canaried in both English’ | Viennese. ‘Lantern; N, Mi . -shé: was, earlier identified -but;. un=, and.” ‘French, including -a ballad | der. new infiuence“of. Costanzo, chas:| ‘version, in’ French, of “Midnight in “Lithuanian ; ‘extraction, ° ‘is’: one ' Of: 7 TER but it showed thé push.. Lillian. Mernik, a‘contralta-” of , the amazing rope trickery of Rex ‘Williams: jJooks: gocd. ‘holds: hime 1: ‘Rossi and Spouse Wanda: self ‘well: and. has polish, One. joke | -about: Greeks was Jow and:.a mis ‘Believed tobe the fire? live cater “to -play “here. ‘the ‘show should sat , “Peppermint. Tw ist:”, . legit: and” piano. work. -in’ the .¢art.”., :0ne as Laird. leaves-in late; Septem ‘better "dimension ‘and brighter: im| Moscow” plus some’.w.K., Gallic: I tie: -smoother voices to be heard’ ‘at ‘pact, . “Money Honey" has. more! standards... For “her singing.” -she the Lantern... She’ has.. a highly | _,Feat, "<'Mack , the’ Knife’ ‘more i should, “stay. with” the © :smailler developed voice ‘ina -true: classical | ‘swing. “She: contes on. Strong” as-~ straight rhythm: singer. and does'| Jittle ‘of the. slapstick. comedy: Tou:tines used: before but: which. she: doesn't ‘need. i Costanzo’s. frenetic fingering: and. Palming: hold. -ihe: tempo.’ of the j oPHE: FOLESTERS ay _ act, which uns;, in® smooth. ““pro®: Songs; Tnistrumentar “style. He's -still’ “Mr. “Bongo” but! 18 Mins... ee also. goes irito-new vocal dimension-; Blue. Ansel, N Xe by: ‘pairing: With partner. on” ni¢e|". “Sweetheart ‘From: “Venezuela” ‘and singers. ‘playing : “stringed. instru: 7" #ments.. “plus an 6xtra oman whe works. the banjo and: guitar . ‘exclu-' sively, -Voéally,. the: lads .do. well. ° WN el. ‘within: viewing. “Gorm. : Way's Keep: “distance. Act -feattires: top: ‘Say demos. from’; Jay. ‘Corre; with. group « also. using.” ‘bass; piano and artume¢, “Daley, " ‘they: ‘make. a nice. -appeara rhée,, and” a : thee | Sones are: ‘acceptable. eo LOT major difficulty . Js 10°: MARVIN: LAIRD” Piano-Songs.. : Motel Muehlebacli, K. G. “The. ‘Muehlebach : -has‘attempted: fo .suich. well-entiéenched: groups as * the. ‘Kingstons” and the. ‘Linieliters. ot! ‘Their “routine§-" seém 2 strongly .; a--palicy of .’strong-singles’ ct: the modeled along “the .lines’ af. the: Jeyboara’ Tor its. “cozy. “Le. Bistea, Jatiér, withthe. shear ded ane “paH=* Joungé and: bat tuc ked. under “the. 33 sidewalk next to its. deluxe itiner ing’:a. few lines. | in: the Trander ‘af “Lou Gottliebs’ Their. .sunt’s. Bye? ‘’ Ganeing * spat,” ‘the . Cafe: Pieardy: 2 feirly. “Scr Gone, gud: taey“sxe “This -time-. the: rogit’ has? Marvin” hard, wae, . “Laird at: the” :piana.. Although. a °° Atcthis: stae heir . decelon’ Jecalité he “has just returned £r6m“pent! they ‘lack: Andivietts listie * “enirit. althrouig h juevi ably ‘the: ‘folks Engagement:here. is to be a short “FOURS | ‘com. to bear’ some: kind “of fa midv resensk lance . der-for England.and acting-ass: ISM uber: ‘However the Folksters scm “Mnents. Sith the Old Vie's: British” 46" 680rGor that facetoc Their, "| Repertor’: Co. and’ SOME’. “BBC. peminiscense “<eeme Tore. peor “Work. “Hence, “his engagement al. “pounced, Whe:her itsa ‘Celiberate * Te Bistro ie setting. more, faay op. ‘air lnconscicts cu Raton as assing. .noti ° : . i‘ P ile an ay. -“outsta anding® “keyboard; Ue io TelL“Jés “Than: : Eaird. tues: his. ‘repertory; : Yereely: Arem musical coined, His 5 PSTEREING: A. Bat MEL, immnbers . lean | heavily “the! Comedy, “30 mins. stphisticate side, “such * ae ‘Noel: Edays’, Kansas ~ City ‘Coward's: * ‘That Js the” End: “of .the ‘Caniready: team oft ‘Dick Sterling ‘Nevws,”.‘and “Rodgers. & “Hart's: ‘' A Baby's Best.Friend Is His other. He labéls.them aptly"as. “ninheard” Hiusical .coniedy,; but he: has'-dug well to find. along. list-of ‘this ‘type, “apparently ‘much to: ‘the, Liking: “of, "the lomgerts.” a . ae ‘brivht’. épots, -Pcysonable: youutgster’s, ‘ate: ne are ne : a and: ‘the. pair 4 “The Merry. Wide”. The’. Folksters: coiiprise: ‘fire? "Oe peak "aka: from aGeseniitance|” . “Ga B05 ‘#ECUe ad. hie’ Native Turontay hes.the | :¢€ ach... thy ese wcek wh cre : ‘he. Ever Sy + Prestev" ‘and Rey, Bauviel are making. th Pir’, first” ‘stand . at: EGdys’, and. one” of’. their first. cutside: ofthe: Miami’ area. ‘where they: have. been. worke. ing: ‘toxcthicr for a year. or sc. Their~ 30 minutes of comedy have several shape. entirely linnecessary, LD. aS. an. entry with good :possibili-> 2was:, occasionally aninigted : che: was, + ‘rooms, ‘avoid. anything. Jarger thar! serise ‘and~ her. abilities | are: easily: ar lounge. or ‘intimate “Clab., and als ttranslated. to ‘nitery. needs, through: a “tasteful. ‘popular taialdg. ~ The: blonde -‘Mies: ‘Mernik £7; ay els dine? ‘route. ‘from -a: medley ‘from, throuch. ‘the ‘aria’ ‘““Aiy. Heart cat. “Thy ‘Sweet: \Veice™ sand: ‘thence’ te U: Ss. pops... + It’s. an “altogether Sa tisfying turn. | Her, diction is excellent. albeit she i seems tO: apply | tHe Jessons, Of: her ‘Speech: teachers. in an. exagser ated: ‘fashion: ‘But this. extra “elfort-isa *. break for the folks. in ‘the’ ‘bleacher. " sections. Of. “wherever -. ‘she -: vmay vork.: They -can “hesr: and: understand Nirivally ev Cry: x yllable: ‘Je. 80," ats G. ‘CROSEEY, -“Soligs 7 01) "30, Mins. o :Fown Ww Contry, Win nipég: . Doug a ‘oslev.. a. rélative. camer rane. nitery: ‘field: altliougli, 7e6 ates ned “here last ‘vé aa’ and [ ne? nicht. ‘club: waik.. An. ‘and unendayle . “CH “ality. ‘of ©. be ‘Ing |. pleasant. to. Wa toh as: well: as’--to 7 disten. lo. Cr Ostey = for tes” tele. Visio: wheré, he. WEE ‘tou-hibted on CBC's ‘How tc funct_“Sy inedlong.” He: “also... : recently: competed | run . as eCorie” Fr af “eeal proaue tiem. Of: ‘OK Rina.” ‘ nderstan dahty, his” 2 CONSESLS “mA ainly . of: was at -hi Rest “with DW Never. WaikAjore™ and” LT, Would: ‘Leave You.” takeutts, “fora! Change ‘of. Lpacé, seer out-of -¢ haracte rr even. ~ thatch. adequitely. de nes Meior: ‘fault iscems: t9: ‘be th; at he | relies: 6n his vai¢e? toa nich | ¢reater. exterit.. than. his Stage. per SEFEC tions! + tune. . hey “If: "sonality, thiis”cadsing the éverall ‘presentation: to. bé. ‘without: ‘draMatic. strength. The. im yal, nee... is ” far. Mher n He. n oni: =: His « “isfy: -the® Kiddie 1rade. ‘take.:: “Otherwise his-only | attempt} ‘€ie* tak eof ‘on :* “Cause. “You. ‘Dent! | Want. My Love. ptherést.. Seerp.fs “Hirt .<extet..“-hits. heavy: Qi. solid: ‘biués..and ‘Dixieland. ‘Bunny He Rev Berigan thenie,.. “I “Can't! ‘Get ouse evi | Berigan, "pnd... cSouth Hampatt, if __ w Street. Parade. are . solid’ is} | Hirt’s soloing-on variety: of-tr umpet | oo, “Apette: RE. + sounds. . Deg ded’ ‘asset Ie Fee: Weer B: Be Kusg & Ba G02. The‘Spiielera mito... clarinets va taney P Drifters, 64h Me aia Pore a Fup 1 “Blues ‘in the” Wight.” OW. yuh Hirt): i Wilsen. Gene, C i@adler, he” Fips two. are. fine: showmcn: w ith. nicely. J. 13°, Oude: ‘SO be "rig. Daa pe. ely 1008 integrated: physical dance, bits that | Hin . 1 come-oll well. -GéraldHirt. ow eH + —--i Miller, Frank.Hudee: and. Rennie [: Rock bard Puen oe GES ayi. 42 haes: .Dupone cempicte group. | t sincer: BB: Ki ine ds et rent Peds Christy Minstrals.: qirected | by" Uner * at This Tveke ars! mse ce. Randy: > Sparks. -resivier Vin. folk Cand tuinsin as HG. cr vhd-y Musing | field: “dnd are: Ase | todiverts 280." Sexsian. His: be nd. yt 7 oh. in Me ch: | oth: headiiners: Tike Iv" inyproved. since Ie-1 catia at the Hanmer: " shows solos. trroughout Apollo, purse ys TE e a6ck “pout in group. “Bis “and Piects" snimes sirang. herane ti-Pi ah heti-with. Teate “comiedy. shits” though “mast of Ring ‘wid b: 1h: ee fe other ats: |} them Sten, ‘betore: fue “Fire: Dow Mand King: scert. sue 2 Upece. ‘Below: is is 2 Gt MECH. Bop Date. Je tentions’ mMue.., ech n 2YN thoocon — = a “stilar land. veers “nae xtéan. A ited NE est Tne: Dt iltcrs tie fait caps who are’ proving fas ae we TD nr ‘Show: & Hedeou ~ Sact der the thenwre aor aat. yer! : “Tokye, Sept. 4. ¢ ¥ocal-und: te pink Wes dae. werk, Spouse me d be Oe Mamidrt Nera" to COMsESE REN at cera ntere, + 3ers, ‘Art Fy “TOPS alse, fad a” Guise oud he ctype WA: Rives coe, ity of Ldvication,ivi fat i Reed, cies at” ~renditinn orca meio: rape ad “Réaid! Akridce: “Bol! Wifey al & fin oreds. When Ye Baitip Girh isa Igha Tent Vi if iete Re Airs: AT Oo sihinl” re . . Moure, tC: Teo, Tih Gs oo “esd fe Re Out. Alanine anton “Whe. . oft Ro sty -@lder' 24 Lele ‘Lathe ce Dwhisties dor “rer sutra coi PUNE . Lopes « Ar ere, ‘P.dra c be: ies ped appearance, Lobe gagise: Fis ‘Band, : Dlgesg tal ot. ree TFS » fers With thir bvecél.edicery, T€ascy. Tabs iROCTUTS, Be eee uepShe cen belt the flees ino eile bsane ” Td Re Ge terierk. eatt: OTe wa? fushicn and Hene"e a. bitad sith I. Metreg: Gis Mini, “PNG as S419 quigd | Genter y, Shain dn -eche Top. 7 : wae Uy. ot lagikethatubal for oihe eh fel che “ig = eras . 4 in PDresses. strar 4 “Otherwise . ‘at comedy ‘was acute ‘country mu;better ‘bet would -be. to: expand: the rodeo. action and dréop mest. of. ‘er. the. recitation type; ‘since: ‘he’ ties: in! tie: _fufi-making’ narketi | ea! iy convincing. ~ atl 160, ~ ‘makes no kig--claims™to aly ‘oice: | Soule 1S: fier reo. ith’: “sonustress [ Se an ae Renny Pryor who" is on a-reitinn} GLASGOW’S. VAUDE. BOOKING | ‘engagement and. Who: ‘shows-shé-is zo: 2.-. Glascow: Sept 11. coining along, ‘nicely’ as: cre. of: ure | Ws initred™: Aimell. wands “Diekie + He studiously avoids: th: ‘off-color: and: .doubleenteiidte, and its ay éredit: that’ he -Holds .the ‘customers +: “with his keyboard | Work = and. his. cares. ‘Selection.’ Of “materia}—an } shox" package rates ‘as: eed, ‘eniter=! -weeks! “xnude Stand’ at the} KCYy Em: “anstrumeital from “Sound Of ‘Afu;} tafnmcnt. . ‘pire: VEUGELY Mere, CP ching, sie Ya chant. of ““Mountainy Green: .. ‘Sterling. has” ‘thie’ pele ra {het Oct-22. °F ; ery: a znd “Any” Old. Plaée™ ‘witlr} straight. man, “who is interrapted . They: will, “follow the: Tun. ‘oF Yous. and aivother Coward number; in hts opening song. A ith Beumel™ | Sadler's Wells” ‘Opera ° -Conipany, ; “the” Baa uf Ethe’ Tiecelo ATarina,” and. others, Quine” Feay: ‘paticrn. “Best. bit: is. ‘the’ phone; Whitfield. in. “The. Desert. Song. ” a newer pop. singeérs.: ‘The 50-minute :-Valeritine. aie. set to. ‘starin a: four-t as.a hungling waiter-to‘set' Hie Cam ‘a end: earlier,” ‘ENE ish Siriger Davia | In the steer. 7 De Spite: ry Port: pout riiv hese “ot | “FLIP. Wilson Cte ‘carling sagebrush “1hre-.in.: pictings ane avetind alko: CtES iptertude | the Ame Bin Wiids West. Show. te hims: at jie*s prescnted cris +. Rodeo® isin’ ter Fough: riding Siarmy routine sa tig Aradle borere during its, month at_ present. Jocabit. his othe r ac tees d § orcs: Wel | tion 1. and. seven. -additi¢nal weeks Lin | the.’ xe. arr takin tin other Japan kets. -Ovening per j ereeve: CO { formance” iid. “nhdeeabie. ‘ patches _ The. Paps. asthe staal. , af “unsold” seals, despite! aris, 7; walues but pits " ‘ton Od ath 2m. sateawa sfer the bow, 2rd word Diysical, and HIE Mi Atop ot ‘Wiouthshoukd ket wore Hermdal + Their ballad tack. soi “at Hip ; ‘than helpful. W ity a “uree e° com: | GWerail. PUpPe ss Ses: 1S ote Ate ate" i-pany ‘of 60 ens hand. coy ercdaiis ig tempt, Odessa Ps pn. istac hig al Ure. nut. appears ¢lusive. JA MR a spall vdsee, Sia nae les | “NEOs tof What’ wrang. Ties iy the 3 ner: Voval chores vt EN UB RLEGV; conc eptionOf ue BEG UF: hiciy with nMieé phrasing ata ier ehick: is very siuge ich lat alice: hours | touches” She decent Hata, iat and. 10° aninutes — ‘hits -ipter mis--}. relf With her smug vor be oc vice, -siuns of 15, #nd. 20. ati ute + 10 eave: (thaugh. The Hivinttens ¢ ime: CONCCESIC naiteés har an ix at tare | approval for the. camer fak sairig . the. custemecis: pak ape Ln inuinber.. ui: Ins eRe as) iB, trying te give the: peuple tee: anuch, ‘Lte: ‘Ecod: édvants 82, 1) a