Variety (Jul 1934)

mm SCHOOL TEACHER J ■ .Fr6yincel9W0i Mtwa., July 24. Wir l»« tiiif** «eti tftV*^^ Nj'd <1ln8s and Allen Bon-tz. l'r«Kcnt»>il by Mairnret llewe* ai tiw Wharf I'lfiyern thcali-o, I'lovlncotjwn, Uimn , we<'k July ». ata«ed Ijy K.- Sunlsy Pratt; sottinKs by IVKT B<krn<toton. Cairt Ihctadlnr Her- nun }lycl<«. Ualph Nflnon, Kvtlyn Vanlen, MtTvin Willmms, IlesB WriKht. IxiulM Hr»in. IMt n* Ostcrtait. Ji»»opli Munncret de Villiir.l. I'Vrnaiiila KUsCllU. ;MAl«ot 8ti>v«'n* nun. Kathleen SohUrr. Ned OIai*»., AtJdrvy mvfak Mary HUknoII. »<*rt»ert^>*''A«npj<l'. Cobwnl^ Ooodwin. Kd^*3rJ Vickery, J<a|ph ,.jr^:r UnwM. . Rubepl C, «chimal. revue, 'F'oola Hush In.' desi»;nod to A tVem lii^ jM|iii«4 in ihbl ikli^^ mmf more MMldienta of a; m|»11 Cfi|«* CM town. Unfortunately lor th* WKseiition. of the pieces the plot wM ttneertwin and cluitered with maiiy teeming unrelated stieneB, In » >«N>ic|al Beium Kr, GlasB and Mr, BqreU have ,a litlrrlnff and powerful argtunent; In a dramatic sense their plot Is wobbly and motivation Is lOst siKht of In their enthusiasm for bacifk- ground. Authors decldely have somethinK to say and say it very we'll indeed, if con-sidered as an ex- pose of politics and over-mechan- ization in the public school system. Ah playwrights, they cannot see the wood for the trees. 'School Teacher' requires careful attention to dramatic laws and a fair amount of rfewritins to become one of the more Important plays of the .com- InB season. Author's skill isVso evident that one hopes they will give their play the added atteiklklOA which needs and deservefc . ■ Piilr ill well cMt and »)r«M^»ed. Bmttre Mtton take» place qi the faculty room and prinotpal's ikifllee of a large public ischobl in Brook- lyn. By a clever stage airange- ment, the office is mounted on a raised platform behind the faculty room, giving the effect of a stage within a stage. A panel is used to ahut it oft when not needed and, by the simple method of dimming and blacking out on one part of the set or the other, the action is carried smoothly through Its several scenes, without any waits or shifting of scenery. An added touch is the, ad- vantage of seeing action in one set in dumb show as background to the plot In the other. Offstage noises and effects are well handled, con- litdering Uie production diflUcultiea ; ' Drama.* polttica* l0V» and crime (with a dash of sex) are all to be fouiid behind the iaaltary walls of the public school. During the ;Iun<;h hour pedagogy is fotfMten, bjr all save Miss Murphy, and r^ .ttiore fascinating aspects Of life have their chance. Ned Glass gives the outstanding performance. Coburn Goodwin and Edward Vickery are excellent. BJvelyn Varden and liarna Ostertag take the honors in the female roles. Ruth Barstow gives a touching. If briiBfi performance. Ralph Nelson, as an errant pupil, is delightful, and Louise Hori\ is the perfect rirpitaTy. Notable character work c6ntributed by Fernanda Ellschu aiid Mrs. Solkoff. Audrey. Davis d^an't quite click due to miscast ' lns<' Margot Stevenson, In what is follow his 'New Faces' in New York in the fall, opcnett- the sco,v here, and will Btay with it all summer. IMnys two nights,) In these waters and then >;<)es ori to Oroat Neck, I'ort W'a.shiiiiJrton, Mamaronock, and other parts, with an eye on Newport for the international races In Sep- tember, which place then ought to liave as many showboats as y<xcbt8 present. Njo^jt % 1;>ad idea at all to try out and wltii^ m shape a ireYue of this type on a Soundrgoing CfAft. Low ovorhead and the chance to see hoW vfliriouui types of audiences react to materia. Ofily drawback is that th4 |>tec« ia. pretty widely eahl Wted in try0ut foinn to peopM living iii thii Qottiitieir/ tot the summer who coniipdia fii^ of the potential winter Kdw timL'iiAffimiaciii, Word ot mouth M--m».ifiimMM-Mti(M-i(6t aroMnd w'thoiiT'-wifb' opni'i'^'Befli' the^.-ikAKia of th^^ff^Hug being deyeto^W for it h.ts Broadway. That's about what was exhibited here in the breakin state of 'Fools Hush in." There wasn't time for a dress rehearsal but they opened anyway. Even at that, there were few hitches and a tolerant audience hardly noticed them. In its present state the revue runs over three hours, with a good deal of stuff to come out. Additions are in order, too, for it's rather on the thin side, with nothing very mut h to hold It together. Beyond a fow sketches, some excellent lyrics, a not too great percentage of tuneful music, and half a dozen engaging perforniers, Leonard Sillman hasn't yet, enough to :fy#n think of S^tljl^^ver; 0<ki4 liaJC bi the atuflLta^^^ to reglirfer imd wient pretty flat; Con- tract iMtwec^ the outatan^diniit Wti.- terllU and thai <iirh|<efa will be elim- inated was startling. Which la a condifhentairy on ono or the other, or both. Best thing about it aO far are the lyrlea, espectailjr those by Norman Zeno^ |ri,, alM! June Sillaiian. Coinpo.-'itlons oif Will Irwrn itnd Richard Lewlhe stand out. Among the sketches, 'Her First Radio Broadcast' is by far the best and could f>tand as is for a very definite click. Vandy Cape arranged this and puts It over. A llighty opera singer makes her first stand at the mlKc, having arrived late and singing the 'Italian Street Song from 'Naughty Marietta' between getting rid of a cough drop and tak ing off her wraps. 'Heaven Crest Beach' and 'The Opera Opens,' both by Zeno, can just about stand, too, Most of the others are so thin and brief that tlie bla«k-ouiv^MmOS be fore the audience\||^v i » li|l '#Bl»-'to catch the idea. Betat Beaton, a Wonde who has expresslbn In aB departoiehti and who should be look<fi^ >vcr by aome body for Ittoturisa. waft* through the revu« billed alitiply aa 'Something.' She's supposed to be a vagtie lady who does curious things, she car l ies it off nicely, but there isn't yet enough to, carry Off; audience Is puzzled Just aa often a^ amused She furnishied'about the only thread, often broken, that runs through 'Fools Rush In.' giving the key-ttOte to tha pieceii, which is a sort ot^oiiare less*. 6n-hand atmosphere. ' Idea Is there and it's good. With a great deal of building and the rest lilg it can't ba pinned to any one, says nothing. Karl knows better and, to protect tho woman he loves, plants his fingerprints on the mor- phino syringe. Police won't listen to Alice's confession when Karl , is arrested. lt«yt:1ji Ban|i to fHiaf^ for ten years. Alice moves to Budapest, founds a succesafui practice, and takes care of Karl's mother. Waiting for Karl. Caoorge kroos falls in lovo with her. Finally: she can't resLst any louKer and gives herself to him, though siie still loves Karl. She finds she Is pregnant shortly before Karl's pri- son term is ended, and he returns to her. She tells him she has given herself to another man, it's a blow to Karl, but he still wants to marry her, Thfen she tells him the rest and sayi it Will be better for them to part. George kn>os arrives to make a scenb, wanting Alice to mariry him, aiid her refusal proving to. Karl that she doesn't lovo the other man. In the clinch Karl de- cides the shadow between theni nOed not interfere, aa ho waiHti th*; ll«!tt behiniit it more. Propont condition of thla plede ltl(«i^ t^Nihnical taulta. Ther« is tod i#wik a Jump ttatiMn the first aitd .secoikd aota. iWth • food ileal; ««.the drama in bft^reon toL»<Jf*p.; ;*%*t part iC ^xpliniMd >ftt^ sonted ao'- lwp poi ifaite/ ^ aa IN: -i^toM^ be. As is. the avidMOIicMl ''6s0m'l..aX':- together get on 0 #hli« |t>.ilUbQut untir Along ^^te^^ second =«ct.; TWira prw^ »<• for the dronui to'start. Producers: already have ian idea to rectify this by intrOduoinflr 4 oourt- roora scene to cover up *hi.t hap- pens after the woman, \«lvea the overdose of mori)hlrie. That ouKht to help considerably. Second man, Kroos, needs to be Introduced sooner than the second act, and a good deal of building done throughout the tlrst section. Last act goes pretty well as is. With this work, extrane- ous characters coming out, and smoother playing than can be.of- fered by a summer theatre^.tlM|i l4f|^)>. may make a good bid. ' Edith Barrett does well In the name part, but hurries it. Slowing down, she ought to be able to carry it. John Emery is Just about right as the man she loves, and that kid. James Truex. <lees a flne emotional joh- irltH'^l^dwig.';, /--'^^^f-Pr^tlk- - thai AkpMd OF CALAIS London, July IT. comparatively an unimportant role, , » , • ~ is charming and-decorative.-JoBepli+f5 summer to do it m, an effec de Vlllard. Mary Blcknell and Bess ^ivc int-mate musical revue ma WHtht handle «maUv|Mlrta expertly ' V0r:.''« 'Wrt»' '.eaat In. a/ftUkMrnW'. .the- ati% the aeilng waa st/nMWt aur- |»ri.slngly good. Characters In 'School Teacher* are all recognizable; brilliantly and bitinply drawn. They form the out- standing merit of the play and It is hard to believe that the authors have not studied them at length and intimately. Such absolute ver- acity and subtle characterization are unusual. Their actions, how- ever, are not always well motivated. Dialog is natural and amusing. Broadway will not hn the loser if the authors give it the additional .wortr. It;WK*rit«i :'. A medieval war atnrjr lii on* act by .Tean Froli^art, /ruRunia 'ftodin and ner- nard Hhaw. preaenled bf »jrdn#y W. riirrnii and Ijewta 8ch»v«rl«n at the t>l)('n Air Tlieatra, ReRenU* Park. .Inly 17. I'ho nhx k Prinp*. ......Hubert OrAKR lohn ofCaunt..........Leonard Thorno Kdw.-xrd III. ..Charl^a Caraon .\ Court lAdy...........i.i.arMrUMVon Queen riililpna. ^. .Plv]rllla N«llaoii-Terry l<:tiatacha da Rt. Ptorro.Vlnoent Sternroyn I'lera de Roaty Leonard Shepherd I'lers <le \VI»!innt OJemont Hninelln .Ienn rto'Aire. . . . .Krank TIckli' Oillea de'Oudebolle Derek Prentice Jnt^lMii de. WlaMant.F. S. Kenney ^ A'-'(Niooaet. 'play'beariiiit '-'^ tiktne of 64Mr«]ardi Sha as one of its three autliora. ab comn»nds attention. It wi» originaily' ^li'H.itiefi;^''''t^.;-; ,'Jean Proissart, who died GOO years ago. Theii Rodin made a atatuia- of the histprliiuii o^nt. whioU^^^^i^^ 1347 and added a character whl^h «ugj|[pested to Shaw the lde» of re vising Frolaipart'a clkrOnology of the siege o? CJalals. For those imfamiliar with this slice of history, Calais was under siege by the English for about a year before It surrendered. P3dward lU. demanded the lives of the six leading burghers. They are brought before him in their nighshirts with ro|)es about their necks, ready to be han;;od. The Queen, who i.s about to. become a n>other once more, wheedles the King into pardoning the prisoners, who are all grateful and ready to depart, with one exceptiun. a belligerent individ- ual wl^t^la the King to his teeth, in thi pr^M^Cer of his wife, that he Is heiifie^kc^ Unfi dare i^ot hang the lot of theii. i iTher*. you tMiv« Shaw in a hutahelt. His prm^ctUiAl trick of i>la,y-wrltlni» la to do the Unex- pected. Y<m^h ooOfit On him for this in everything' li# lirrites, and becbtnes thorough her*: Chiriea Car.son stood out with an admirable performance of the King who lets his wife cajole him, and Phyllis Neilson-Terry pranced ade- MY LADY iKftldon, July 19. TTtatorlcal comedy In throe aeia by ftwi* : aid (iow. Produced by Henry Oacar'at" the KmbuMny Ibaatrab July 17. The llo,<iti-M.>i . .Nellie linwuian The i'aptaia;k,............Jainea I'ltru^ The Man.. .••••.••...«.....,. Alan \Vebb The 'Ladjr..................Uol>ei Ktaom The Maid....... A;.,<^,,>*Poi>othr t>unti«)s The Prince... ,>i4«v<c... v\ Ifenry q««ar Tb* mateaaaaa. .,.C^ar4M . Can TKe (>in«t«rf»...Aafliony -Oni This play has several thing.s to command it, among tlx'tn one sccna and a cast of eight, yuestian whelht r it has auftlcient general Sp- . pc.al to bo classed as commeroiaU As a dainty little coniedy border'* ing on tho farcical, plentifully aiip. plied with hiHturical ronxaiii^i iiii^i ' adtnirabty ftited 1»y morO th&n of the caat, it promea a pleaaant evening's a^m usoihent, >owey«>r. r iBtory revolves to • bring Itohinie Prinoo QhArlie bacic. toi the thiHpne at 4 tlmo when he ta past middle agf^ Vl^laae. dlsllluiiloned and pr»ferring to' live on the con-* ' tlnont as an honored exllia rattier. .> than a vmarti4l oandid.-ite to thO Knglish throne. In spite of him- ,, self he is druggetl and brought to Kngland at the instig.ation of a n»- ^ m.antlc, ambitious, Jacobite woman, who.se husband is a leader of the ' Whig party and a moirtlfcer Of tllO: Knglish cabinet. ' Henry Oscar, who sLignd thaV piece, jilayed Prince Ch;uli«» in a/, m.anner to illustr.ito to a nicety the v <Hiiet dignity of a m.an who has lived, lost and is tired. Lsobel 101- som makes an exc(«llent foil fts tbo, ambitious Immoral wife of thia .' minister, and Charles Carson .as an >' astlmtatic cabinet minister n^e w-ell : ' nigh sunerh. Three such portyoiy- ;' als wouM InMil life intoVa mdnu.: script/written by a schoolboy. Biat thla ena «raj|' wrijtteiii :by a achooi.- 'master/' ' al^4;^^li|•:v|toa*^.:t•^^ ,niUo|l-;.': . better. ■■ - : JtifdT^ y (juately as tho Queen an<l sang hep ' lines 'Shaw-fully'. Playlet will not udd much to the ' reputation «>f thO . W»*Whlskered • Shavian author. >folQ. (Continued from page 44) but he's great^he keep^ you inter ested In every performance. 'Now you ialUL^Ilie Sbsens, 'Viima and Buddy; t-don't know yet whether they actually dance. Their dancing is negligible, they're all personality, lovable, huggable kids. All you Know }s you like /^ifBi«; ;;:.'i*ereohaHty Counti^^^^^^ 'Re^ly, the greatest dancers you find amongst the hoofers in vaude—. who look as though they're in mis- ery all ths time. They 4»m do the hard sitWpSi' tiio ' bAok-w^ feats—so what. They have no per- sonality, BO nobody cares. Bill Robinson Is a good dancer, yes, still there are a lot of kids in vaude who can top him lit actual diMnclng, but4:f|liht« he'a aeeni that^ * they Oouldn't 'iihKt.:-::-'Viitt:VMiif-''gtit- used to it. I never had trouble with Will Rogers, though. He doesn't sing. That Irving Berlin. The most a{»i>reciative person in show busi- naaat ilo haa ao ntteh to offer and give. CharisR. Btteh ntelbdy—It's got variety, Wkrmth, Oontrast. If he were to write serious opera his music would have Just aa much ,charm^ai/hia'CMHiiiitlir' tUmtt.' ■■ And Goodman knows he's a tough audience. You get that way work- ing around musical shows. He starta 9Ut 90 the premise ttuU noth- ;ifli9'#^^^«Mi^^ :iii^ahow'::lniMl^: neiBS, he says, he's learned that a .show can always improve. He's seen tho things they were so crazy about in rehearsal blo^ up pponin^ '«Kla»K* .'.''hA>a' sa^m'. 4>K^* %^,^H'i-vmM -'m.'* FOOLS RUSH IN i New Rochelle, N. T., July 23. f^ionard Sillmaa preaenta hia now Intl- rhiite muaical revue, 'Foola Runh in.' aboard the fl<vitinff theatre. 'Venture,' "■^OChfyred off Bcho avenue, Ne?r Rochelle. T^'rica by. Korman Zeno. Jr., and June . J^MImani iKualc by Will Icwln, Riohanl tirtWlne. nasfoin I.lltJc. Jr.. Alfred .'^imon, ' Wart.urlon I!ulIl)ort ati.l OcorKe and Rert ' , Clark*. ^ t^k'etcheq by Js'orma.n Zeno, Viola ;. BrotlHiri. 6horo,. Juna Sillman afid Naw- man Ci«Vy. I>ancmi atilMied by I^onard Slllitiati and Ch.arIos Walter. Ctut In- . ludesi Vandy Cape, II .li.Tt, llurfon, HetJil Fi»ato»». 'Vema It'irki. eiizaboth ilorcan Mind. 'Hilaa' Tlibm.T.s ;, HArw rntna thia tthowhnrttK West- port. First,one, Pcrtvirihlslc, ought , to be near by; now, and, Vohttire .WUI, be cdmlnt along later. . t'Hls ofM la, blgffer a,ii|d, on a iiiore pro- fiMatonai sciEiIo. Walter Qrbenou-^h .■ tooir: tht b id Port Washliigton f^ltOtriRid bum' 'iK ilit<> «|i^e- : thf^ fit^itty sUoki^i'^^iPaiiitift^ 1^; •Uvor, it has a seating ewpiicitr Of .199 and aleens a cast and ' per* aontiel of ft on board. Beudes thla •th*'iitiditrtrtum t»art » aw of^tt'-att' ait«if, with p «ahvaa top to be pulled over in oaiKo of, wUn. ; : may emerge. No orchestra carried. Will Irwin and Alfred Simon at two pianoa; furnljih the .a«co«iMiafment,. P.i'wtt.. '•;< • ¥ ri. i lil t; '-' Light Behind the Shadow ; recite;plainly Ktimi trvmi PlayiiNi pi^jwst "Tba Lfeb^^ TMiind »• Ska4ow.' jhew ptay adapted br .r.VHe rtuhen ffoin, the MurmMrr.nn. 'Alice TikritM,' by Deaao Sscomury. With Edith Uarrett. Directed by Cllffonl IlnioKe. I'rofesanir - QloU........Roynolda I>ennl.4ton Karl MarkoviU...............John Ktnery Ml.-fs -Takata. .KJlth Harrett I'Uilw i(j . JaitieH Truox /.inril Takats..Stanley HarriBon Mrs. Maikovitz Dointhv I-i^wis (jeonte Krcya • ■ ... . .......A te*andi;r C lark I'irncst Trucx and his partner, Frank McCoy, hold thi.s one, and they may have sometiiing. lias the makitigs, at least. It isn't another 'Men in Wlilto' from the woman's angle by any means, but it's along those lines, it offers the old, but still effective, problem of whether or not th^ medical World has the right to put out of his misery a pa-, tient doomed to die. I'lny doesh't answer, except by showing the 4on-< sequences of one such act oh :thO part of a woman physician. LudWig, friend of Alice Tak.ats, female doc. and of Karl Markovits, brilliant younf^-BePlin hospUal chem- ist is dying of an incurable disease.' Alice and :Karl are ih love, but now mor^ tntoNre^tOd in thenuittMihg of liiidwig. Alice tella lCall n la only ' ' • ' V :>nt r.udwj#'6tlt'.of his mi!i- > ' 'a agafttti■ It'■'Ittid'makes Alice promise (i^' oo iiotnihfr rasn. When Ixvidwlg «Iea4a wfth Alleo to tlvji him m.:d^r^^-':i&t ni0rt>hihe, shf oan'l , iUiBd filf mtletm$ any longer Ahd cOihfitilts What If liiifMiply a xymptttfretto aet,: t>at IKWny, ..mtJtrdiJr.; if?^MHO of dcMh is lli»i^(ivbred. J<;arl .tbelbi'#io% t»: M. ail«l|t..'■ ASli^':^il«lt¥ Robinson is a stiu* becauso hO'a got tKaf' iifersonallty and he sells it. .lust the way ho smiles at the audt- once, rolls his eyes, and looks with I>lea8ed amazement at his- nimble feet is enough. He's a fine detheer, but a igreater imtesiinian. Hci'iv got personal charm.' Ooodman's field of activity in- .aluding the radio, too, he turned his attention for a moment to the air waves att4 «?i^AO up with this: 'Radio la dey«io|»inir truly line or- chipstratbrs cftpablei not only of flne artistry In orchestration itself, but al.so able to overcome radio's rne- chanical obstacles. Static, the vary- ing^ site Of the bli'ipadcaatint atudids, ana 4<i» on.' He named a«1>re- emlnont In orchestration Russell nennett, Hans .Spl.alek, Don Walker In radio orchestration, Arthur Schutt. And then he we nt , o,n.; With i iefme tnora opinions and oewbea: *The-niost dlfnciiU task I've eVer encountered in directing was those operettas at the old Century theatre. Though the theatre Was built an exact replica ol'^lioaton qii>«rfr houii« JotQehow It had the #or«f* kcoustiC!^ Ih the world. It had throe or four blind spot—places in the theatre where you couldn't hear .h. tHi^^, and one of those dead a<*e#ai; wa» right %i|0i^. i sfobd in tho olishestiha pit. ^l; ie^ hear the singers—tho only way I ctuld tell they were singing was by watching their fa<;eSr-but I khoW that people always siojr lotrdar than ifil««^ ajfiduld, so 1 putv|i«ifi <*ai»d up .ind au fomatically hliUiad:^ i'thjftm^ \Vhieh rcniinds me. '' i ll.) orcl;estra plays louder in 1 aJlu iliau .Mil llio aUtg a . li f oaM i , ., twr •liHfer bllM 1if«: Mk; 4M ai!iy» way the tnixcip: controls tho respect- ive volumes o^ sound. I'U never for- get Qeorge M. Cohan and Irving Berlin, how bewiMered thay were at flrat, heatrlhg %Bi .yp'iuim! waya tagiMii; It eMr whOtf the pro- ducer bOimes running to him_JWlld with enthusiasm for some Idea or other. That kind of burns them at tho timo-and—they call him Ice Water Goodman—but. ha |U(ures .•wmebbdy's got to kiip a iavi^ head Sooner or later he gets his way, for he tells them unless he does it his way, he's no good to them. And they do listen to him. remembering porhapii his tSO sUoWs AiiMt hlii flair foif waking an opening night im porti>nt. Th^^y listen, except about the.ifilrchestri pits, PARAMOUNT, L. A. (Continued from page 17) (iUlred a coterie of stooges who add materially. Particularly Is this true of Evelyn Oakes, who as a tongue-tied high school girl, cracks wisely with the emcee and winds up with a snappy line of hooling that stamps her as a couu r. utlier stooges are a duo of younKster.'j (brothers) who help with a bit of yodeling. Kids are just so-so as regards yodeling ability, but have a vein of hUmor tl^at hotdtf promise. liolliH Duvenny warbles a couple of song numbers that register only mildly. i..lne girls do a eouple of effective routines, and performanco closes with the Flame ,baii0t that featurea tho Rouen;.Wlo^'jlM''<iSi(tle*ed' here last week. Screen ban t^iea iWloUld Listen (Pa,r), «<?r#Mi;kj#o\»venlra and Par Nei#s. UowM ofi second afternoon lolia than thive-quartera flllad down- ^jtaira;"' -v ■ ' Syracuse, July tft. World premier* of 'Bundiiyf' .irania ''by';'Martiil'''ln«;v^^^ ' (jtagod by_ the Hummer players of St^i^Mm» ih&Nv«tir j«ia Thuri UA in Paris (Continued from xiage 11) ing about $70,000 on the job. llous* is jitat: !(rfr:.tlt(ii;'<3hampa'^B^aeoiii 'fiMl? will make the second U.A. fliiiit'-nm'v house in that quarter. Aubert Palace, on the tQlranto BoutOfiiiil'to bui 51% of stock is owned by M. Derval of the ITolies Bergere. Umansky made hta de*! to i^aae tho houM»' wlth^;i>erval«'; ^^It'wllf bO/^uaed irtlJW'.'' for second-runs of English versions. Lease begins Sept. 15 and runs for three years. TJmansky's ezploita*" tlon of Avenue will begin at tltaM#.,' samo'tline.'".'" ■ '-'-v "■^>'.-: Tying up of three theatres in thla , way l»y U.A. is of certain impor- tance in American film biz herO, foe^J the number of suitable BhpWcaaOa' v is necessarily ilrtilted, aitd that means Just so many that the other companies can't get their product into. IT.A. al.so made Its deal on basis Involving no cash nor riak to th# ' ' ■■ Summer Lull Summer lull catches U.Al with (Mily i^ picture ou^^ the l»arl# first-runs—'Broadway Through a keyhole'—which is in its third week at Universel, and seems good foi'< a couple more. I,acy Kastner, oomW > pany^ cohtln«mtdt^c^^ plans i#; put out Virtually tho entire roleaso' next season in orlgin.al version."?.:ise«<! lecting the best for dubbing later. ' PrograiR Of dubbed i>lctures so fair arrangeii irdk fifcose in l*3i-85 in- cludes 'Bowery,' '1 Cover the W.iler- front; 'Sorrel and Son,' 'CatIn line the (Jroaf,' 'Moulin Rouge,' 'Uoin lA Scandals^' 'Qallant Lady.' 'Bulldog I>ruii(im6n<r ind 'Bienvenuto Cfellim.* ' These have already l>eCn dul)bed, and 'Sorrel* is already released* Italance Will to out In thii fa^l. ^ ::mi8jM .ie|itAir« in p.A; oetup ho*w h^ vfoWowtod the Arrlvkl of Murry Slft4Tstone in London Xp A'*'** charge of all Kuropo. iPT'eans that , Kastner will report to I^ondon ift.' future inatead of to Now. I'prki Kaather iromalna 4ti^fl|eiait¥o p(|ii^ of contin«»tarV«i||fiiH^^ ever. - ■ ••X*';' ^' ':'■ He hats juit wtiittli tb Pitrlt fot* lowing convef)tlon of l/.B. nastet'n PJuropean reps at Itudapest. wh<*0 the authorities made so much fuss over Joe Sohenpk that he seemed Iftr-^tliilir'' tbi^y: F'ii'iit tim* "iny. Aniicr't'an ma.|<)r had conV*l»!<4 j in ,tl»« tow n. and they ahoW«|' iiKW!^^