Variety (Aug 1934)

iMillyhoo—iH otlcn a pu«liover lor the very commodity it selle. OfK'n JfHPlf HO well 1c thf entrepronrurp that Ihey'rp more r^adUy convinced traction must pull. That beems to have been tht «itse ot the Michel Foklne ballet. The (ton-theatrical news pages rc- t,«unted the overflow running into the thousands, necessitating police renerves, when the /"okine dancers Sjrformed at Lewisohn Stadium in ew York recently, and It was rea- M>nal)le to believe that the dlsap- (POiHtCd tumaways would expend •^proximately the aame admission lUctuaUy it'B mon») W order to view MAM ttt jptmi^r comfort. It ■il^y' '.iMiii\'%Wtn'' out that way—or it j4iid sob Al W «t the t^st MIW Ma tm tl»e hoiwe ^failed to point but tM NlJtiisky an«l«. timte^^' eotuMeit^ii it seems a 4^imMm9!l^^^^ <^ pictiire VABIE1¥ H— btieit aecapt«d' . . type of audiehca.. til rayiw*. ate., were replete With triclta r*tbar than terpsichorean, plaatlc toe. artiatryi The Cap fans are mora adifled by 4 he adagios of Peggy Taylor and her Kitchen Pirates (the week pre- ceding) than the elaborate forma- tlons and Interpretative dancing of the Fokine ballerinas. U'« easier to "^interpret the acrobatic heaves of , Mi.sK Taylor and her three sturdy male catapulterss than the Fokine terp.**. Fokine Ballet monopolizes the Capitol stage for 70 mins., opening with Ravel's 'Bolero,' the most popularly appealing of the three numbers, followed by Chopin's 'Les 8ylphides,' and concluding with TrllMM Ifor/ Latter is preceded J*l««i*ittW>l^^^a^ by Don ■ Aihvriy0i4 an augniented Capitol irrttM afehaatra. 1!ha way the iM^ ataiittl^ Ciiiil^^^^ •i'rjflca Ifwf and klne suggested tli*y'd Wv* Mail more receptive of •|»nnc*' MiiN(''lU>- aaanoff at this point; No disputing the lavish artistry of this choreographic spec, but 70 mins. is much too much. It was received by an obviously friendly audience with only polite acclaim. If there are enough of 'em around to offset the regular picture house TaoH whom the Cap is likely to lose this week then it'll all pan out la- v»)rably. As such it will more than adequately sustain XJie judgment of the booking for it has the decided advantage of educating a new type of prospective patron for the house, and that alone is worth something Kundamentally considered, however. Fokine and-the Montgomery-O'Sul livan gangster-rural film. 'Hide- Out,' don't quite match up, and aaaybc purposely. Pallet numbers 33. The opening •Bolero' runs some 13 mins. Then follows a straight six-min. concert pianist, unbilled and unannounced, to plug the stage wait. This dif fered from the smart idea of pro |acta(l explanatory titles preceding aacih #(: tlia three numbers, in an endeAv<^ to Interpret the terp theitiaa. Unfortunately tha phrase- (l»»PViiW^ tttimm IHtIt for aiiiM'idarUtaAtlan*'. . Witlmt^ tmii >t mMm. and %brf tmML wttli it on tka ros «riMm ipMawiiur mim* llva aBlnutaa of Dbh Alkbrt'a niaMtraiiMr M the ,a««ftvre. Hi* baltac did ^ FttlO vftilan Dancers from tha op«ra; and tf you're never'seen what a Polo vltzian dance is like here's your chance. But somehow Sammy Karavaeft's Russian hocks go bet- ter with the Cap tyf>e ot fans. Nothing liuin sunteboily einc's rici It while weaving a trick pattern in niidair is the geneial iika, Jl haM.rnn to be a tyjic of act Keen huiiily at all in recent seaBons and therefmc ukc- ful to booker.'^ scratcliing tiuir hcadti •for h6W openers. And all bdokerf hava head itches iln^ae ^v** ; LllUan Carmatt la 4 i>r(»tcire of Ai SaiseU Seli((el . ■:noiiif:'-'nMi^"-: -R pikar out af NAt Natorro itiM flitit) and Is itiKoIy to K>aaii Oils Edifvards any wdek in th« mattar of dltrf iiiR 'cm up and pushihir >m Ahaitd.. Ko report on where Miss CamMMH cOmies from. She's hardly a bag^nner. Right now the verdict im't 100% pro-Carman, but th«ri'a-iffl«nM<^ note about her. ' Is anybody who reads Vakibty particularly interested in the fiact that the once profitable and numer- ous profession of dog barber has al- most become extinct in Paris? Thi.s little sidelight is offered gratuit- ously as a preface to the Gaudsmith Brothers. It isn't easy to think up anything new about the Gaud.<«miths old act. But the decline in the fortuoes of the Parisian dog barbers is now. It all has to do with the chanca In PaMiian fapcies. Where- M tha V^cchBh j^e^ ong muat adnat«;iitl)r t>« bar- i»f rM, was anca planttf ul and i>opu- Uui'. tadajr tha •hdrt^haircd breeds raqiiirlag no fanox eollTures are the style. So not only are the Gaud- smiths themselves institutionalized but they're trooping a couple of genuine rarities. Maybe the Loew press agent ought to write aome- body a memoranda. Tie-upt With the local kennel clubs, etc. Sight bits added one to the other without much continuity and no sense whatever create the hokum session known as Juna^Carr and Harry Martin witlh RiU iPtfC And they did nicely. ' Of JackDenhy^s smooth miiiric extended aoininant ia atit>«rfltiott8. He's ona of ^tlw blfg^; of dancadom aMt lia hiuiilias hinsaif and hla unit luuidlly bir a vaude- villa atMrOv Jmmaaaurable flitter is added by the prisaiica of the slinky pair, Florenz and Alvarez, whose work has invagination and a fortune in fln«ssa».v\'.; '■ '..tMud, ■ RKO «|)tUrg('d on the n vival ol vaudo on a foMr-day V*^"**", *" t^*** former big-time «P*>t. 'for this Is no $r.oo outlay for talent. More likely, it cost at leaftt $1,000—a snappy five-net layout, too and, were it n«)t for the booking oHice'H promises that 'if you give uh a break here we'll lay out the rest of the time at your rcKular salary.' tlilH 1)111 couldn't be bouKlit under fl.r.dO for the half-week stretch. It's a good stage stai t for a the- atre that ha.s been In grind pix lor over two years, entertaining every bit of the way; but if this is just a falve atKTt. With RKO later reverting to tta oricihal plan of fSOO and 1750 Davcyn dropiwd •(It ;»lMf»K«gh. Hliww and this was -M^-it^tllmiiMfi^t^:' »y- deirdoes a very fine dog acti b^it its still an opener/ RAdio IUibe* are No. 3. Personnel Of the turn consists ol clever hill-bliiy boy and tiwcf sto.-nes.', 'Awdiano«.',;.Wa«' „|>pn- commltal. : ''i'^. Lewis and Aiues had to flre A Wt of jokes at the peasanta bef<>»'P they d tive in. but managed to »nd "cm finally. Since radio u'Sn'ge hfts murdered all standard equipment In the gag ll'>«'. it s a necessity now for vaudevillians to dig up new ones constantly. That the Lewis and Ames script Is at least 50';^ new is much to their credit in the.sc days of acute material scarcity. It's not all good, but it doesn't sound entirely familiar, and for this rea- budgati^ Ihen^the house may have I wn the Palace mob warmed up been,beU*r Off reinainln* a* It a^ the finish to give the team yviitigf With tha anpapllMi of stera.'.' thla' -■'mm'AMr'. They knew yatide^llie here on Washington Aieights and; as was proven in the past. RKO will be fooling nobody but itself if it starts to cheat later on. You don't bait mice with herring, and this cir- cuit, which a few years ago lost the confidence of its patrons by trim- ming its vaudc bills every time it got a b.o. picture, should be aware of that. Another thing RKO must learn to do is to delete dirt from its stages, as Ks being done on it{8 scraanp. This show, playing to a three-<|uarter house at the Saturday matinee, one- third of which was Jtive, Was but a mild offender, including four lielliB,' three 'damn*' and a few casual' ref- erences to the QueanL But one 'heir is bad enough for family trade, es- pecially when the cussing and the degeneracy-aiming would never be missed if yanked. Dirt is not only RKO's problem, but also vaudeville's. For, if ever the censors turn their blue-noses to- ward the stages then it will be the absolute end of vaudeville. The cir- cuits will not be bothered with the a good sendoft* This made it easy ^™4((iritll«Jr «ieOre, in which they still upT lntroduee the sevenfoot big boy for contrast clowning putposea*-Miss Ames remains ^ ofivyaudevilie'ii most proflcient 'gai^l «ieeartiiii|aklng straight wotoen. ^ CHmmt |a lha I^aRoy Smith col- or«« 4Mrchaatrii (Nail .4ftk)> whtch shdWi p6salhiUtie« but iMttO; a^ne«a for some braiMt-ln worli. And tlw Palace on Hivadway ts a Una pmca for a break-in! ^ ■ 'Hat, Coat and Glove* (Had(d) is the picture. The '34-'35 new vaudeville saaioh officially commences this week, but you couldn't tell it by the current Palace show. Th*: •ama Old boloney all over againv^^^^ - , : JJiCe. HU^ 9iM;riMORE : Baltimore. Aug. 24. They've 1bo(Aad fn A alew of radio retyped tttfiii in(^nted the: pit ontIi on the etag*. f«d mode a pre«ent]»<ii!. lion out of thid W4tek*a .ente.»lRtiM(;': ment..parcel.' : Acts comikrise uneui) lhai evoked some shimmering bia; UP. at Stoet Pier, A.C., fortnlgl^, baelt, and mUm% figured on some conttenueht capital coin-coUectlnii on local scene wlien word-o'-mouth reports on show were breathed around. But it won't happen—neither good reports, nor important biz. Show doesn't stack up wt ll. Lacks, a definite sock, and is sorely ham- pered by several weighty burdens, chief among which is a ballroom team, Kinney &. Lewis, whi< h fum- bles through two routines, when one would have l>e«>n «lrtrlmental enouKh. Sisters of Skillet (East & Dumke) bad in shave their normal routlnat. down to a idngie bit. dtie to DumWe'a qulniWft' tiif^i liSile was ailing Chicago, Aug. 28. Those pink-tea dMietantes and arty scribblera can continue to gig- gle at the flamhoyarjt architecture and decoration of the 'i)lcture ca- thedrals.' teut those giggl*» don't mean a thin^; to Mr. .'ind Mrs. NEWSREELS (EMBASSY, N. Y.) It'a an aB>lild program this week —for the fhtat tlnie In IMWerit^ atre hiat<»ir,':"''. Faifc* ifarM: II by getting Can- ada to give it tkit, official okay to yiew the <)ui|itug^. Uow the wov- ernmaiM iMfMI the Matter at all doeisn't seem so much the ques- tion. None of the other reels evi- dently thought of i^itrela^^ parents. And the Hve infanta, a* the reautt, are shown asla^ awidta, eryihs. laurhiag. And the doetor tells his headache of cleaiiing vaudeville, for I Mooch, who get a big thrill out of vaudeville itself has been a head- Walklrig into a rf^m* pelniee^ If it waa «|^. bacauiw of the peted with thick rugs and decorated novelty .eC |ileai|il«; Ji|«^ «gMii> then With in eye to faiH^y 'liHi^i: %0 them it's the mitai; M|» it a was the McCoy; tlMA tlH^ ttteailflon the re- turn oC vjfiUdeviHa liare received •peaka Well Indeed for stage shows at thia spot. It was not the turnout kO much as it was the applause, every act showstopping solidly. This went for the opening acrobatics of the Gilbert Brothers to the closing Lee Murray and Stanley Sisters dance flash. In between. Stone and Lee. 'Fats' Waller and Bea) Street Boys (New Aeia} Mid Vic'Oliver, m.c, sockoed. Gilberts' hand-balancing and par- Blit. iM>t iiMch here; a«;ttMiy. tiiiuped a^^ tUrn .thfouglk .atlt>.'iw6fe^t^; Ifa imell stuff, and It is to these peoplie that the picture theotixs play. ■ Many laughs have been had at the expenfie of Balaban & Katz and their style of theatre decoration. The firm certainly has a knack of tak- ing a ramshackle, broken-down house and making it look like Buck- ingham Palace, or at least the yvay Mr. and Mrs. Mooch thlnih J^^^ ingham Palace must look. B. & K. has taken this old legit house (Olympic) and has made it into a real theatrer For years it allel-bar atunts were right up the was a top drama house. 'The seats tntileni. :|a»,::g gwai eel and Hitched to Fox's "The World Movaa on>' the State haa. In the- ordei' of appeantnca, HOrMnt tyina and Pearl, Lillian Carman (New Acta), Gaudsmith Brothers. June Oarr and Harry :;l9e«a^.il«|!f^^ta) ^yareis."" |kd<qptl lage eould lartin With Phil I.; Jadt l>e!nsty's iwaetl^ :«f.vl'. aoi- _ ^ aigi«t tliia Mil Most cla»i|! lii'iiJ JPkawna and Al- varez. Most likely to awMMd to f«tli|re: Uilian Carman. Most easy to fteamMr: 0ivd- smith Brothers. Most enterplriaii«: BOrb^rt^ and Pearl. ——^ — — -i— Moat comical: Carr and Martin. . Most Of moatest: Jack penny '•rcheitra.'. . ' It was perhaps not aa strong on laughs aa an Ideal Taudeville biU gbould be. Gimiaa are eonfined an-^ Iteely to tha ttiird iMd fourth i^as. Tai the aum tbtiM of divertiaMnMint li Mgh by currant avaragaaty W^ Ig iiol Intended ag JUnt ptjitii; : Reirealing gnaw wMt tb* biiingn /aw, neck, arms, shoulders, and trgs arc capable of is the two wom- an and man trio, Herbert Lync and fearL Hum^n bodiea. auspennlcd story. A|i4 tlM aiiraa fvoves by the bandasea bar ttaada really were burned.'"' - ■ / Patha.^ evidently to get full bene- fits of the baby scoop, supplemented its off-screen voices with that of a woman who went on to explain to mothers in the audience the advan- tages of MMtlllc care at IfMUttt or infants. ■ It must have been a toufrh as- signment for the technical <rew. Most of the pictures wer^ indooi views, in fact all angles on the babies were interiors. Just how the crew managed lighting.;, in view of the doctor's statements about n-. electricity in the home, etc., weic not revealed by Pathe. Although It didn't get the five babies. Universal hunted around until it found In time for day and date release with the quintuplets a small doflr that a short time tigo gave birth to 15 puppies. And with seeminff venceance, played the dogs for a fun run. Bubjeet was prob- ably a coincidence, nevertbeleas, covering the do^s from every gag1«. U, if oourtmartlalad^ ipiigbt ba con- victed of perpetrating a IrftVeaty. Univeraid didn't atop At this, however. If Jooaied M Infant that looked iMRga In a man'a hjO, calling It flmgJlMt baby la Um World; Alongaide of it the Canadian kMi- dergarten looked like giants. And the U babe acored comedy . With the Saturday matinees. U went atill further. It had a cameraman out in Iowa catch a couple of that ill|tfg |^|iMlkM!M grOWn babies. Paramount couldn't find anyth^ni^ in the cradle in time for the current release, so it slipped in the next best thing. It Interviewed various homeless youths, and their replies- got more laughs than any of the crib subjects. But Pathe hadn't left itself open It got some kids who had viewed alley for the kldis in the theatre Two boys are atandiard, pmooth workers, taking little time put for roeri(ed bows. ; g^nhiaaj--. of the temmci, half of tbii^ Bl(^ iaid l«e combo Is also made to order tor tliia aVdiMe<>, although it was IH thia were bad, there was no ice-plant, no courtesy and no warmth to the theatre. It was an ardaftl to alt-la the house. B. & K. took the theatre and im- mediately sank $50,000 into the spot. Booking in a nifty marquee that's an excellent flash. They took the gl^t ahgkM. Jimihy WalUngtoii m:c.'s through-! ■ out. Has no more than a rep from : Cantor 'casts, Ingratiating grih nnd . manner, and an agreeable voice. But packs of personality. And he cotild ■ teach some of vaude's vets »<om6- / thing about suave amseeingr toOk Mob plcntee likee. Biggest score of show Wiis rung up by M.iry .Small, local kid pii)ep V who has nirw.ived herself a rep in pa.st year. W.k. here, of course, but her shrewdly-chosen, variegated ■ chants got over distinctly on owa merits and il»>serve<lly. She should , not have been sprung .so early in.:, show, howevei-, simc she's the ; brightest beacon the layout evin«eM» \ Three X Sisters have dilticulty ■ fdlowinir Mias small, separate*! as they Afe "t^y "»><i single terp" t %t6f* by Kinney, tk. Ix^wis. Trid vuUclUrttfea but one Kong in logical mibtter, lia^qK^y. l'>>r r«5»t, confine Bch*ea to *»*«tty|ird. hillbilly and caiphi' albilatioiif*. Plus a /«Mr standard and agerbCdrugfjrrd imt- ' tashes. Gals shotrtd leave the ver*;-'; ■satllity to the rtiyrlild othovH who ; can shade 'em at it, and elihn to their h.-ipplest sphere, harmony, , which they can 'U0^:^--^^:*ai»i»^> than passing well. Billy Gilbert Is first outa the l>atf at start. Over oke with his <li.a- lectic comedy and 'talkinf.; fiddl*-.' His period was too protracted at show cauglit. WalMliFbEm #l«tghta smartly for him. Finale, an attempted triiv<sty on operatic chorus warblinK, with ac- tion framed in a dentist s office and utUiaing all the acts' members, mieaea tiurget chledy through lack of ei^ver' or funny basic idea in aketch. ■^' • •Whoin Oods DefttToy' tCol) on tha, • al»o^'|l|ii|3rieek. ^ ^ . - | into separate rooms, so that the view of her partner drew plenty of customer doesn't get the effect of laughs, although stretched too long, b^ing lost in a long, vacant hall. Top their comedy nicely with the They've taken the stairs at the end male playing the trombone and his cute assist dancing. Vic Oliver milked them for solid of the hall and turned them around so they face the arriving customer. Maybe all of thta aeema minor atuff. applause, did a few minutes on the but it all adds Up to^lbisiCNf that pi.'^no, then introed Waller and his sweet harmony quartet, who clicked is a theatre. Opening of this house causes cer- doweribo t h e g r matters. The weight Of ; the crime, through such telling. Went over fim more Comedy with the'audience. Oh the matter of adbles^ehce. pathe even W<|^t to the i^lt links. tell the worki how yoatii can scbrf. with.:»o. - .■.■-■:,■■.■■.:.:..•:,■„-..■■•'■■.■■ • Even tba IfUihlontt clip Waa de^^ cated to ktdt. Paramount went to the kindcrgnrten to show what the misaea of from live to ten will be w.Miiiig;M.likiM|iigi. gllale uuv um. strongly. Oliver's own berth came tain distinct changes in the show in the next-to-closlng frame and he I business set-up of the loop. In the had to beg off after a dialectic I first place it eliminates the legit monolog. He also gets credit for I theatre from Randolph street. Some some of the dirty stuff, one nudist ten years ago there were five such colony gag not resting well at all. I houses on this street. The Colonial Closing, Murray and Stanley Sis-| (now the site of the Oriental), the ters* flash hga evenrthlnff a cur- Apollo (now the United Artists) and taiaer deairaa. An eaneeially bappy Garrlck. Woods and this house. - - - " ■ ^ All have gone to pictures. Opening of this house does for RKO.and its Palace what the Palace had never before been able to ac complish. And that is to make the Palace aeem In the heart of the rial- to. PrevloUaty the picture ahow business'endiM< at .the corner of Randolph and Dearborn streets and the Pala«e was at a distinct disad- vantage, apparently being three blocks off the main stem. But with 'tlig-ADollo lighted up, the Palact^- now only a short block, off the heart ^of. ahow huaineiia aiiey. It must lautomwiicaifar aerve t« boost the stMriring or The Pgii^i I . |b A K: haa iopehed the Aitollo ag'Wa class rutt honae- for the cir- diitti, it ia etideiitiy slated to repiaoa t1^ Ibirfc McVickei^ g^ iong«nmh<4'. B, * K. Iiiui alae shifted the; Rooaeveilt to a ilfgl-riin .poii(w«viMiMi'' anaaiia"':tb%t.:miibr:':'tli«' (liurilai %itt «fyt:aa t^^ ■oyl*.'a^.\■:,•■:^^■. Ai with inny out-and-out picture house, ii'a. fririiaarily the picturrs [ that count. /And as long as R. A Kv tige: biiptiMnii it win not have to Thf overhead here Is much l e w *r than - at the M c ViuheiK bland o< tglaat In tbla, tlie alaters hot dancing wall aat off by the toe- Upping of dn Unbilled femme and Murray'a aoefntrlc dancing on the boarda and on a stairway leading up to the backdrop. Another boy's hot clarlnetfngr Is excellent accompani- ment. Show in its entirety runs 78 min- utes. 'Grand C^nii^.,; lijiiil./.the screen feature,. NY. It's take-it-or-leave-lt with five acts and a picture .'it the i'alace this week, and the Frid.iy evening customers left It. A rather leth- argic gathering, the audience, but without rea.«fon to be otherwise Opens with roller skates and closes with a band act and in be- tween takes advantage of the pa- trons' good nature. No. 2 holds .mother opening act «n<l No. .*) holds one that should be No. ii. Next-to- closer fits naturally Into the apot. but It's no tfiolt^l^ Pkice, a llr8t<^. rate mi«a<i'' '9mmh'-''''^imlii'. ■yt'tmrt'-.n bclen ga * Openine Act that raauy lij^Aa is Brown and LaHart, mam and womMim a niiM balltbeiUiv^ i^u- :.t|ne. ^' 'IfOOlm.' Ilka^"ti|^''-:li«d' 10 crowd their own fdett viitf. g tptiMliictio^ in iM>mewh0«. ao il'a wtUladd; in for- ah encore. DimmeiM gd on and ;the though ;the .Apollo does have fewer seats, havthft eOmc 1,200 in compari- son with the McVlckers 2,200. Op- erating hut of the McVh kers figured about |«,000 weekly, at the Apollo it ahonkl not run over $4.0(Kt. in mahy instances the Ap()llfi chares Iflrl's skirt lights Up as ali»'"WhirlH expenses With the «;arn< k, mieh a« in a foothold. Real closing trick up ahead ie a good one, but doesn't live up to titc main's anndtiJicement of death-defiance, so less buildup might incrcAMT the effcrtlveness .Opening act that's in the deuce iti Paul Hy<d«U and SfKttty. Two the mutual cooling i.lanf Picttire for th«' opt iiinf.* wav "Sc.'if let EmprcHs' (Par) which got by with an 'adults «)nly' pl;ister afff-i haviJitg Ocen originally , t-'inued irst dav UokL Seattle, Aug. 21. This week's stageshow is head* lined by a novelty, with a scientifio l)asis, a demonstration of television. -, Calvin Spencer, of Hollywood, l» here with his television camera and ' equipment..which makes quite some showing on the stage, especially Impressive when the emcee. Ken ^ Stuart."-.announcer*"-for, station'. KOImii,',' tel l a the audience that it around A hundred gjpwfid and oay<er« •I yaara^ Of Inventlva Wdirli Id ger*; feet tlie camera nnd cfqui^HMi^ ig^ its..'i>resent'^ ataler---^v..'/.--.■ The ipreaehtaii^n tyge of atoga^ show nD<# offered diiritig the Bum4 mer months is putting this hoUaa.. on the right side of ledger. whlcH is something. The shows are built ', locally, with the exception of every third week or so, when a Wilbur Cushman road shyw comes in. Harry Woodin, manager, naturally . can feel happy—and proud, too^ that the red ink la Al|i|y. ffgi for a long time. Jules Buffano band, with Ken- neth Heiman. 10-year-old lad, bacic again as soloist. The boy Is in hl(> 6th week here, gets big hand every tlme.-lins a tr^e, clear, though im- mature, voice, and a antiling, modeel personality, tliit take* okiy.; : Celo Lamlbiert atid parUter giifg' hand balances wherein the blond* girl doe« the strbng work. Ted anit Ethel Walker foUow ,.in ^cenlil* co-mics. with' :Bt|^'-|p»Vin«--.''gd«i'., looks to help. Then comes the television stunt* which draws as novelty, and, be-. cause of nowncfm, is entcrtAiniiig. Stuart gives short history ot de- velopment of the invention since 1926 and presents .Spencer, who answers a couple of questions and then goes into demonstr.'itions A local girl. Esther Boyd, is intru- d uc ad a a 'Aliaa Telev i sion. ' t he m ost-^ perfect subject, selected at local contest, When over liOO were given the camera teal, : Her pfvtile ia sharp, and she is bkmde. Bdtii these elemtontp WM^ to aid tCle-i;; V iston.^■miHirf-radfnifa'.;!^^^ is crude. HHW it ahbwW nHnin ai; sonMything .hew .cotoiiw along, j i ; Then subjects are invilr/J frum ■ audience and one oi two pl.-ints come on for the test. Picture is thrown « iiln k re.en oj» eitlu r sidO ■ of st.ige. :;u,i outline l« uulto < I^^ar, t eH ii agi ii^ ■.|a-' .il itii |'''i i| y^ '.t a. i^ick.'^ I.... - "--■■:'->^.;>y«>jv :